A Quote by Andrea Leadsom
I think part of the whole agenda of being open for business is about making sure that people can get here and also get there.
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People like RZA and DJ Premier are really on the balcony to scope my musical theories. They also help me focus on making sure I make money, making sure I get the notoriety I should, just regular stuff that friends do when you're in the business. And to call them friends is amazing.
I think the most challenging part of being a performer is just making sure that people know that when you get up there every night, it's unique and that you care.
There's all of the DVD extra material and all these other pieces of information that don't fit into a 90-minute experience, but it's still content and people still want to see it. It's being open to [the fact that] the business is changing and being open to how you can make money to afford you to stay in business to keep making new things. I think you just have to have an open mind and be really smart about stuff and not be so locked into the conventional way of how the process used to go.
Being a melting pot is what I think is great about being American, and also that we get to do something that other people don't get to do, we get to be a hyphenate. That's a good thing.
If what we want to do is promote reading and writing and publishing and making sure this is a business that keeps going - because it is a business! It's not just an art - then we have to take responsibility. I get sort of crazy and frothy when I think about this. It really matters.
I think maybe the only time I think of being a woman... is being on the road and making sure my musicians are fed and they sleep. 'Are you OK? Do you need some water? Are you hungry? Can I get you a cookie?' I'm not sure all the men bandleaders do that.
A lot of people think that regulations bring higher costs, but regulation is also about making sure that someone doesn't get to beat out the competition because they're dumping filth in the river or spewing poisons in the air.
I want to send a very strong signal to people who do think about making this journey - we will do everything we can to make sure it is not a success in the sense that I don't want people to think that if they leave a safe country like France that they can get to Britain and just get to stay.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.
I believe what I call common sense gun reform. Plus, a revolution in mental health, making sure that if people are having a nervous breakdown, or are suicidal, or homicidal, they get the care they need when they need it. I think the vast majority of the American people can support and agenda composed of those features.
It doesn't get better than making people laugh and also making sure people don't go hungry.
We think that life is about get the girl, get the guy, get the car, get the job, get the house, get the kids, get the better job, get the better car, get the better house, get the promotion, get the office in the corner, get the kids on their way, get the grandkids, get the retirement watch, get the cruise tickets, get the illness, and get the heck out. That's it. That's a good life. But life has nothing to do with any of that. That is not our purpose in living. That is not the Agenda of the Soul.
Our day-to-day lives are pretty chaotic. So in terms of the writing part, you have to get pretty disciplined about finding quiet moments and making sure you're making time for the art side, on top of all the time-consuming business side.
I love business. I love helping urban communities grow. I love putting people to work of color. I love making sure - like right now the whole mortgage crisis, I want to help people get back into their homes.
I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.
Well, when you get into the business, what you have to realize is that signing autographs and getting 'bothered' is just part of the deal. It's not a bother to me at all. That's part of being an actor and that's something you have to realize before you ever get into this business.
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