A Quote by Andrew Rannells

There was something really special about working with Lena Dunham. I immediately felt very comfortable with her, and we spoke the same language. — © Andrew Rannells
There was something really special about working with Lena Dunham. I immediately felt very comfortable with her, and we spoke the same language.
Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.
Having casual conversations with the likes of Lena Dunham and Kim Kardashian makes me weak in the knees. I have so much respect and admiration for Lena that it doesn't matter how many times I talk to her - I get starstruck.
I am truly obsessed with Lena Dunham. I find everything about her unique and refreshing. She is a brilliant, hilarious and honest writer who is not afraid to make her audience uncomfortable.
I am literally obsessed with Lena Dunham. She's, like, my favorite person in the world. I follow her on Twitter; I read her every day.
Lena Dunham has a very compelling face.
I felt very comfortable working with Jr. NTR. We immediately broke the ice almost the first day. I always found him very down to earth.
I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.
I used to be the youngest person on the set [of Bored To Death]. Now I'm very often the oldest person on the set. I feel lucky about that, to be honest. Lena [Dunham], by the way is a doll to me. So much fun to work with and really open.
I've become good friends with Lena Dunham, and the thing I had in common with Lena when I was 24 is I was as ambitious as she was. What we don't have in common is that I was not as talented. My voice was not as clearly defined.
Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
My overly ambitious dream is to be a Lena Dunham - I get immense pleasure seeing her name repeated over and over in the end credits of her brilliant creation 'Girls.'
I think Lena Dunham is a very bright and very interesting writer, and what she's accomplished at such a young age absolutely impresses me.
I like V-Nasty a lot, and I know anytime I like an artist and the majority of people really don't like her, I know it's something special. That's the same way I felt about Gucci.
I really love 'Broad City' and Lena Dunham's 'Girls,' which I missed when it was first on years ago.
I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials.
I don't want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of The Book of Mormon . And Girls felt very much the same way - there was an excitement about it as we were doing it; I knew it was something special.
This site uses cookies to ensure you get the best experience. More info...
Got it!