A Quote by Andrew Rannells
When I talk to Ryan Murphy or Ali Adler about my past or things in my personal life, occasionally pieces of that will end up in the script, and I think that's true of everybody. It's true of that entire writer's room, certainly of Ryan and Ali. I think that he writes really well for actors, for his actors, and he writes to their strengths. I always feel very well taken care of with him.
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One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.
Do you remember a scene with Ryan and Ali playing in the snow? Well, that was improvised.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
I think on balance, Don King has been bad for boxing. I think he's done some very good things and I think he did a heck of a job of promoting Ali but I think I could have promoted Ali.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
I would acknowledge that [Paul] Ryan has some really good ideas about things, and I think they'll get together, like taxes. Larry Kudlow, Stephen Moore, they've been supportive of Ryan's tax view and now they're very supportive of [Donald] Trump's. So I think that's got potential.
The Prophet's words were true;
The mouth of Ali is the golden door
Of Wisdom."
When his friends to Ali bore
These words, he smiled and said: "And should they ask
The same until my dying day, the task
Were easy; for the stream from Wisdom's well,
Which God supplies, is inexhaustible.
A man who writes well writes not as others write, but as he himself writes; it is often in speaking badly that he speaks well.
While Frazier was a man of few words / Ali was a world of mouth / but he found his place in history / Now his heart can express him well / Joe Frazier was a silent warrior / whom Ali silently admired / One could not rise without the other
I think the way Win Butler writes, I really identify with it. He writes very emotionally and very cinematically, and I just connect with his sensibility.
I care about actors, and I understand them in a very personal way. I'm not saying every writer has to do that, but in my case, it's been helpful. I can put myself into the scene and think, 'What would it be like to act this?' Any writer who's really good probably does that to some extent.
I don't care. I mean, I've been stupid in the past, and I've learned from that. Some actors actually think about what they're going to talk about during the interview--they read up and meditate and plan quotes and get all inspired. It's very smart, but it's so planned. I never think to do that.
If Paul Ryan wants to talk about the soul of America, I ask him to look into his own soul. Because if he is saying we have no soul, he certainly has a hole in his. He needs to understand that every single person in this country has a right to expect that their government will take care of them in their greatest need.
Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
My personal relationship with Ali began in 1988, when we met in New York to explore the possibility of my writing the book that ultimately became 'Muhammad Ali: His Life and Times.'
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