A Quote by Andrew Ross Sorkin

I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
It's very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places - to kind of look at things through the 'noble innocents' prism or through the 'chronically dysfunctional' prism, and I suspect that is so often the case.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
I do see the ministry of Human Resources Development through the prism of gender. I see it through the prism of capabilities.
Like white light refracted through a prism and split into many colors, God's eternal love-nature, expressed through the prism of time, becomes God's multicolored love story. History is His story.
When my work does speak to audiences, when it creates audiences around it, I feel a little less crazy because what that means is that there are folks out there who are interested in thinking about themselves and the world through a prism. The prism is a labor and there can be a pleasure in labor.
I don't look at Israel through the prism of running an election.
When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call "white" is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion.
The past is the prism through which we see a great, great, great deal of ourselves; it's a useful prism. It doesn't mean that we're fascinated by the dead or that we're fascinated by things that are settled. It is just one place where we can go to understand ourselves in the present.
I think we create our world through stories. We use storytelling to escape or protect ourselves from the unimaginable and the horrible - from the real, in a way. It's like white light - if you put everyday reality through a prism you get this rainbow of colors that you couldn't see before. I'm interested in exploring the world to show the things that are invisible. And not just undocumented aspects of reality, but to actually make manifest things that have been hitherto invisible through the intervention of filmmaking.
I don't look at the world through a prism of sarcasm. Anything I do, I take things face on. I tell you how I feel, and what you hear on the air is what I'm feeling. I'm not going to try to fake it, create synthetic drama. I'm just going to be myself.
Comics publishers are used to looking in a very, very narrow focused prism. It's like when I started writing 'X-Men.' Our 'meat and potatoes' money was made of newsstand sales, while anything that came through the Direct Market was considered gravy.
When we describe what the other person is really like, I suppose we often picture what we want. We look through the prism of our need.
I'm looking at the world through a very positive prism.
I cannot look at myself in the mirror; everything I have believed in I have had to reject. This environment only makes sense through the prism of trends.
It's absolutely crucial that we look at mental health not just through the prism of health but in a cross-cutting way.
Let the world burn through you. Throw the prism light, white hot, on paper.
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