A Quote by Andrew Scott
If one story becomes too hot, then you can't forget it. As an actor, you want to remain fluid.
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You want to do movies that you are proud of - telling a story that you want to tell, not a story that you are forced to. Of course, as an actor, there are some things that you do that you try to forget about, but that's part of the job.
Things are fluid in this world, and if you don't remain fluid, you get lost in the sauce.
When you put so much effort to forget someone, the effort itself becomes a memory. Then you have to forget the forgetting, and that too is memorable.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
In a way, as an actor, you do all the preparation and then you want to forget it and just play the scene. As a director, you can't forget it because somebody will remind you that you forgot something. But you can know your plan well enough that you still have a certain amount of freedom.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
I worked as an actor for a few years before anything happened, so I'm used to going up for auditions, and then not getting the role. But sometimes I don't read the book of the film, in case I just totally fall in love with it, and then it just becomes an obsession and you want to do it so much because you've completely fallen in love with the story and the characters. And then, if the part doesn't go your way, it's heartbreaking. So, there's a certain amount of distance you have to keep before you can throw yourself in 100%.
Not too many people have my story. And this is my story: A guy goes from unknown to a Heisman Trophy finalist. He gets kicked out of school. He absolutely rebounds himself. He becomes a millionaire. He's taking care of his family. And then he's getting injured.
And then it gets so hot that they keep the supermarkets too cold. Hot, cold. Hot, cold. It gives me the runs." Mr. Landowsky
I drove in last night,' he said. 'I couldn't sleep, it was too hot. So I went outside. I was feeling melancholy. Then I danced with a beautiful girl, and I felt better. What's your story?
What did you put in the fire?" Kaladin said. "To make that special smoke?" "Nothing. It was just and ordinary fire." "But, I saw-" "What you saw belongs to you. A story doesn't live until it is imagined in someone's mind." "What does the story mean, then?" "It means what you want it to mean," Hoid said. "The purpose of a storyteller is not to tell you how to think , but to give you questions to think upon. Too often, we forget that.
As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
The thing is, the studio then forget that you're an actor and that you can do other things, and so since they pay you for that, they don't want you to do anything else.
I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'
It’s just like when you’ve got some coffee that’s too black, which means it’s too strong. What you do? You integrate it with cream; you make it weak. If you pour too much cream in, you won’t even know you ever had coffee. It used to be hot, it becomes cool. It used to be strong, it becomes weak. It used to wake you up, now it’ll put you to sleep.
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