A Quote by Andy Summers

If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet. — © Andy Summers
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.
I've always been fascinated with sound, since I was a little kid when my mother Dorothy Dean took me to my first piano lesson. Later on, my guitar, bass guitar, and synthesizer were my secret weapons.
There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
For me, the tabletop is an easy way to eliminate the possibilities of chords, modes, melodies, and harmonies. It kind of confines you to this other sound sphere. I know anyone facing this kind of dilemma could always just find another instrument more suitable to their needs, such as a sampler or synthesizer, but I figured I have a guitar and amp so why not just use them?
There's so much to be said for making your guitar sound like a synthesizer and try to make your drummer sound like a drum machine.
In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire." There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.
More recently, I used guitar synthesizer extensively on the two albums I did with Robert Fripp.
I think I was first to do live performances on a modern electronic sound synthesizer.
Never let your wife prevent you from buying equipment. A car will not buy a synthesizer, but a synthesizer can buy a car.
I played a guitar with a file, and a synthesizer.
When you can inspire other people to do something they couldn't do before, that's a very satisfying feeling. Sometimes I meet people and they're over the top excited to tell me how much they love Razor. There is no shortage of synthesizers out there, every week there's a new synthesizer, especially plugins - there is a lot of competition - so if you make somebody really excited about synthesizer it really feels good, so it's a source of a lot of pride and satisfaction.
A guitar being played by an actual person is never going to be as precise and perfect as a programmed synthesizer. But we maintain there is value in the potential for human error.
For me, the guitar synthesizer is a great writing instrument.
The use of electronics is a natural extension of the instrument - it is an electric guitar. So we guitarists have been plugging into something since 1931, and we are not about to stop now. Current advances in technology means we can have a huge array of sounds at our fingertips, and this offers amazing possibilities to the contemporary composer. It is always a guitar (I don't play synthesizer) but it becomes something else all together - more like sculpting sound in real time using metal wires, 5 fingers and a pick.
It means basically I'm using the synthesizer more to change the sounds of other things rather than to use it as the source of the sound.
It's been very hard for the guitar as a serious synthesizer to compete with keyboards.
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