A Quote by Ann Beattie

I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works. — © Ann Beattie
I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works.
At the end of the day, what would be a Canadian sensibility? Is it Michael Ondaatje? Alice Munro? Is Margaret Atwood more Canadian than Neil Bissoondath?
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
Margaret Atwood and Ursula K. Le Guin were the biggest inspirations for my work because they trod into areas considered to be owned by male writers and created these worlds that are infused with an understanding of so much more than just technology.
Peggy Atwood, Alice Munro, Hugh Hood, Michael Ondaatje - these are all old friends from my early 20s.
That's another thing in Alice Munro: it's always, like, some middle-aged woman who is going to cheat on her husband, and there's that moment where she decides to take an extreme risk. It's always after an extreme risk where life really happens for Alice Munro.
I couldn't choose a favourite author, but two contemporary writers who have never disappointed me are Tim Winton and Alice Munro.
The messiness [in my books] is nothing like an Atwood novel. For me, the deeper subjects are secrets versus intimacy, and how both beget safety but also threaten it. And there is a lot for me about loss, too.
Early influences included Lorrie Moore, Amy Hempel, Charles Baxter, Richard Ford, Alice Munro, Denis Johnson - writers who are important to me still and who I discovered through my teachers.
I think the few writers who influenced me most in writing short stories are Alice Munro and Grace Paley. They're very different, and I can't do what they do, but reading them gives me hope that I'll learn something from them.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, The Handmaid’s Tale. And you know, so much of science fiction has to do with predicting what’s to come, so I think that’s really interesting.
It wasn't until I started to read short stories - by people like Alice Munro, Mavis Gallant, John Updike... Eudora Welty - that I became excited about the possibilities of writing.
California seemed to me to be all about secrets and the need for safety. And this leads to this thematic messiness I'm still trying to figure out what to do with. I mean, when it comes to the themes, this is nothing like an Atwood novel.
When I first read Margaret Atwood's novel 'The Handmaid's Tale,' it was Saudi Arabia as I knew it that came to mind, not a dystopian future United States as in the new television adaptation.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
I admire Toni Morrison, Wole Soyinka, Margaret Atwood, James Baldwin, Elizabeth Strout, D. O. Fagunwa, Sefi Atta, Chimamanda Ngozi Adichie, Colm Toibin and Junot Diaz. It's a long list that keeps growing.
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