A Quote by Ann Coulter

The first time I heard 'Sharknado,' I thought it was a late-night infomercial for a new vacuum cleaner. Could have swore I ordered one once. Then I found out what it was and remembered that I grew up reading the 'Sharknado' novels.
We have so many foreign fans, I think we should take the movie to them. I thought, 'Wouldn't it be great, instead of demolishing a city, if we, through a 'Sharknado,' could rebuild it? Wouldn't it be fantastic if we went to Italy and a 'Sharknado' straightened the Tower of Pisa?'
When my agent called me up and said, "Do you want to be in a movie called Sharknado?" I said, "What is it about? Is it really about sharks falling out of the sky and eating people?" And she said, "Yes." And I said, "Definitely. That is going to be a huge hit. That is going to put to rest the Home Alone dad image. I'm going to be the Sharknado drunk instead, hopefully." And I was right. I don't know how I knew that, but I just knew that Sharknado was going be a huge hit.
There was such mass appeal for 'Sharknado.' It went over so well - not just here in the United States but globally - that it would be such a missed opportunity and a ripoff for the fans not to bring 'Sharknado' back.
If a vacuum cleaner salesman rings your front door, he will be selling HIMSELF first. The vacuum cleaner is secondary.
When I read the first 'Sharknado' movie, I thought it was terrible. I told my wife that I couldn't do this movie, that it would be the end of my career.
I had always thought that once you grew up you could do anything you wanted - stay up all night or eat ice-cream straight out of the container.
When I was a kid, my mom used to run the vacuum cleaner, and the noise would bother me so much that I would run into the woods to calm down. I feel like that vacuum cleaner has been on since I moved to New York City.
The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.
When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, "Oh, right, well I'll do that." From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
I'd still thought that everything I thought about that night-the shame, the fear-would fade in time. But that hadn't happened. Instead, the things that I remembered, these little details, seemed to grow stronger, to the point where I could feel their weight in my chest. Nothing, however stuck with me more than the memory of stepping into that dark room and what I found there, and how the light then took that nightmare and made it real.
I grew up in this household where reading was the most noble thing you could do. When I was a teenager, we would have family dinners where we all sat there reading. It wasn't because we didn't like each other. We just liked reading. The person who made my reading list until my late teen years was my mom.
Does anybody really survive 'Sharknado,' including the viewer?
We live in a country where voting rights get gutted but Sharknado gets a sequel.
We're very sure to stay in character, to experience the Sharknado as though it was real. That's what acting is.
The grown-up world was a very ordered society in the early '60s, and I was coming out of it. America was even more ordered than anywhere else. I found it was a very restrictive society in thought and behavior and dress.
English has been this vacuum cleaner of a language, because of its history meeting up with the Romans and then the Danes, the Vikings and then the French and then the Renaissance with all the Latin and Greek and Hebrew in the background.
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