A Quote by Ann Leckie

In non-fiction, I found John Gardner's two writing books to be tremendously helpful. — © Ann Leckie
In non-fiction, I found John Gardner's two writing books to be tremendously helpful.
After writing several chapter books, I found my true passion: historical fiction.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
Writing books can be very individual - one might strike you as helpful that someone else found useless, or that you might not have appreciated at some other time in your life.
Writing books that people want to read is helpful - my most successful book is my only police procedural, a very popular subgenre of the very popular crime fiction genre.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
I have better peripheral vision in my left. It is quite hard to remain optimistic, but I have found the Macular Society, of whom I've been an enthusiastic supporter for nine years, tremendously helpful in providing support.
There are many other writers whose work I admire tremendously, but none whose work struck me at just the right young age. Jack Vance taught me that speculative fiction, science fiction, could be wonderfully and liberatingly stylistic. It didn't have to be pulp stuff. He really changed my writing and my view of science fiction, so if nothing else, my little homage to him in the novelette I wrote for that anthology is my thank-you to him. He helped me see that any genre can have excellent writing in it.
I found the sections on aging, relationships, and procrastinating especially helpful. I really found the tips and suggestions very helpful, inspiring, positive, and motivating. Yes, I would definitely recommend it.
I'm omnivorous in my tastes, fiction and non-fiction, always several books on the go, though I'll read a novel in a day or two.
Im omnivorous in my tastes, fiction and non-fiction, always several books on the go, though Ill read a novel in a day or two.
One of the great books I read was by Sanford Meissner on acting. I found that really helpful for me as an actress.
Plot is tremendously important to me: I can't stand books where nothing happens, and I can't imagine ever writing a novel without at least one murder.
Usually I read several books at a time - old books, new books, fiction, nonfiction, verse, anything - and when the bedside heap of a dozen volumes or so has dwindled to two or three, which generally happens by the end of one week, I accumulate another pile.
I think that I had read so much fiction that the craft itself sort of sank into me. I didn't read any 'how to' books or attend any popular-fiction-writing classes or have a critique group. For many years into my writing, I didn't even know another author. For me, a lot of reading was the best teacher.
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