A Quote by Anna Karina

Quite simply, I owe everything to Jean-Luc. He taught me everything I know about films, about books, about art, about life. — © Anna Karina
Quite simply, I owe everything to Jean-Luc. He taught me everything I know about films, about books, about art, about life.
My daughter...why do you not tell me about everything that concerns you, even the smallest details? Tell Me about everything, and know that this will give Me great joy. I answered, But You know about everything, Lord." And Jesus replied to me, "Yes I do know; but you should not excuse yourself with the fact that I know, but with childlike simplicity talk to Me about everything, for my ears and heart are inclined towards you, and your words are dear to Me.
I think the saddest moment in my life just happened two months ago. My old nightclub partner passed away, Phil Erickson down in Atlanta. He - I owe him everything. He put me in the business and taught me about everything I know.
'Everything To Me' is about everything that's important. It's about my wife, my kids, it's about life, about being happy. It's about life in general, you know, about not knowing what's going to be around the corner, but you've got to enjoy it and enjoy the things you have. My wife, my kids, my health, and stuff like that.
I know this much about racing in the rain. I know it is about balance. It is about anticipation and patience... [it is also] about the mind! It is about owning one's body... It is about believing that you are not you; you are everything. And everything is you.
My parents taught me everything and set me up for life. I owe to them all the things I'm passionate about: music, art, the people I love, my career and family life, the fact that I have children and the way that I raise them.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
Where my dad taught me everything about writing, Graham Paterson, who gave me my first job at The Times, taught me everything about journalism, which is that it's no big deal, and it's more important to have a glass of wine.
My mother was a dominant force in my life. She had a very specific idea about education, which was: you should know everything about everything. It was quite simple. There was no exclusivity, and there really was no judgment.
My friends are always honest with me about films. But I really wanted to talk to regular people and kind of have a forum to interact with them; not just about films, but about everything.
Yes, I learned history at school; I know everything about apartheid. My dad, he bought the books about it, stuff like that. But I just move on with my life. It's completely different for me.
Anne Wiazemsky wrote two books about her life with Jean-Luc Godard between 1966 and 1969. And I first read the second one, which is about the fall of their love story and their marriage. I immediately thought there was a movie to make with this book because it was so funny, and I thought the love story was very, very touching.
A man's bookcase will tell you everything you'll ever need to know about him," my father had told me more than once. "A businessman has business books and a dream has novels and books of poetry. Most women like reading about love, and a true revolutionary will have books about the minutiae of overthrowing the oppressor. A person with no books is inconsequential in a modern setting, but a peasant that reads is a prince in waiting.
It's always important to talk about what Jean-Luc did - for him, for me, for everyone.
I used to be the hippest of them all. I used to know everything about everything. I used to read about everything that was going on, and I knew everybody's name and anybody in pop culture. Anything that was written about me, I would read.
Everything I do is somehow rooted in humanity. It's always about people; it's always about ego. It's always about desperation. It's quite existential. You know, 'Am I leading a good life?' That might be because I'm an atheist, and I think this is all we've got, so you better be nice. And have fun.
With Eric Rohmer - as with Mozart, Austen, James, and Proust - we need to remember that art is seldom about life, or not quite about life. Art is about discovery and design and reasoning with chaos.
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