A Quote by Anna Kendrick

I've always had volume on my side: the big-voice-in-a-small-package thing. I surprise people. — © Anna Kendrick
I've always had volume on my side: the big-voice-in-a-small-package thing. I surprise people.
I try to say one thing with my work: A book is a wonderful place to be. A book is a package, a gift package, a surprise package-and within the wrappings is a whole new world and beyond.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
I've never had a surprise birthday party. I've had every other type of surprise. I've had surprise beatings, surprise drug tests, surprise daughter I think.
Big businesses have always had a lot more voice. They can afford advertising; they can afford marketing. But for small businesses, being able to quickly and cheaply connect to customers is a big deal.
My parents always knew that I wanted to act, so it didn't really come as a big surprise. The only thing they told me was that I had to wait until I was 18 so I could get my education out of the way first.
For me the Voice of God, of Conscience, of Truth or the Inner Voice or the still small Voice mean one and the same thing.
I've always been curious about people's psychedelic experiences, and I kind of had this assumption that I was going to have some kind of crazy mindblowing psychedelia thing happening, but actually, it was very quiet, and I didn't have any hallucinations at all. Nothing changed, except that suddenly I could hear the voice of my conscience, which I didn't ever think of as being a real voice. And ever since having that experience, I've had that voice in my head and followed it occasionally.
I always surprise myself with my voice. A lot of people don't get it, and they're like, 'You can't sing. Stop. What are you doing?' And it's funny to hear a lot people say I sing in falsetto because it's not falsetto - that's my voice.
I do my own thing. I'm very much in the paradox of things. I enjoy the little things in life, what's big is small and what's small is big. It might not be the coolest thing to do, but it's important to me.
If you aren’t hearing your inner voice, it could mean you’re overburdened or not stimulated enough, or that you’ve learned to shut it off because the people around you have refused to engage it. Perhaps you’ve had a hardening of the arteries around your soul. I believe the choices we make in our lives and the people and places surrounding us increase the volume of our inner voice, decrease it, or annihilate it entirely.
Formerly Milton's Paradise Lost had been my chief favourite, and in my excursions during the voyage of the Beagle, when I could take only a single small volume, I always chose Milton.
Just the way my voice sounds now, it's always had this little hoarse thing to it. And I'd have to do vocal exercises to make my voice clear.
The Gulf of Mexico is a very big ocean. The amount of volume of oil and dispersant we are putting into it is tiny in relation to the total water volume.
I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.
It's a holistic process for me during a show. I'm always focusing on the technical aspects of my voice. I try to make my voice do what I want. One big thing I do to improve on each show is to listen back to performances on CD while on tour.
I make music and hope people enjoy it - but when they do it's always a surprise. A nice surprise, but not one that I expect to always be there.
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