A Quote by Anna Quindlen

The thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself. — © Anna Quindlen
The thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself.
Trying to be perfect may be inevitable for people who are smart and ambitious and interested in the world and its good opinion...What is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself.
Film work can be anything from just really hard and stressful and you're subjected to really weird deadlines to really draconian and weird and disconnected. You're working in service of the thing, and that can be really amazing for everyone involved, or be kind of just a waste of time.
I do believe in 'forever' in terms of relationships. There's something really amazing about being with someone for a long time and really knowing each other in that way. They end up becoming your closest friend.
You really have to work hard and apply yourself and by applying yourself and working hard and being diligent, you can achieve success.
You've got to trust in your own ability, back yourself, and the main thing is work really, really hard and fight to improve.
Giving up a lot of yourself isn't really that hard when you realize that you get more than you give up.
I love doing emotional scenes. As I've had a perfect life, I don't really have much to pull from. But it's really fun and not that challenging. It's almost pretty easy. The hardest thing is to try and make people laugh. That's a really hard thing.
The amazing thing about becoming a parent is that you will never again be your own first priority. The gift of motherhood is the selflessness that it introduces you to, and I think that's really freeing... I think it allows you to put yourself in other people's shoes...the empathy that it slugs you with, being a mother. And I think it makes you a better storyteller.
For me, I know that people always expect me to be perfect, so when I'm not perfect, it's really frustrating. I'm really hard on myself and want things to work out right away.
It means abandoning being a poet, abandoning your careerism, abandoning even the idea of writing any poetry, really abandoning, giving up as hopeless - abandoning the possibility of really expressing yourself to the nations of the world. Abandoning the idea of being a prophet with honor and dignity, and abandoning the glory of poetry and just settling down in the muck of your own mindYou really have to make a resolution to write for yourself, in the sense of not writing to impress yourself, but just writing what your self is saying.
It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.
We're a much more touchy-feely, hands-on generation than our fathers but juggling work, family and social life and trying to be romantic and keep yourself fit is really hard. I want to be the perfect dad but you can't be the perfect dad unless you compromise elsewhere.
Following your heart and working really, really hard is the best thing you can do, and just try not to be too hard on yourself.
I like playing... I don't know. I think that's what was really exciting about playing Knives, too, from the beginning was that you get to kind of do both of that. She's almost like two different people, but that's what's cool about it, because I get to show her growth and that's the thing that's really cool about Knives, you get to really see her grow up from being meek and innocent and naïve at the beginning to this powerful girl who is going for what she really believes in and what she really wants.
Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'
When people can be vulnerable to one another then you're kind of giving people permission to really be yourself and not try to impress all the time and you get into more interesting work. You're being real and you're not afraid to mess up or seem weird.
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