A Quote by Anna Quindlen
I really feel like if you can get past your fear, if you can say, "Uh-uh, I'm afraid to do that and I'm going to do it anyhow," that that's really the way to have a satisfying life moving forward. I think I had that kind of fearlessness even as a young person. It wasn't tempered by experience or wisdom, but it took me a long way.
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America is, is no longer, uh, what it, uh, could be, uh, what it was once was, uh, and I say to myself, uh, I don't want that future, uh, for my children.
It was obvious uh, that uh, the situation in Vietnam was far from stable in 1964 and that there, if in fact the United States was going to uh carry out its declared intent to uh, do its best to prevent uh, a Communist overrun of South Vietnam, uh, there would be at least hard choices to make, and there might be a choice for uh, stronger action.
Uh, excuse me, sir, I, uh, don't known how to uh, to uh, tell you this, but you were three minutes late. The schedule is a little, uh, bit off." He grinned sheepishly. "That's ridiculous!" murmured the Ticktockman behind his mask. "Check your watch." And then he went into his office, going mrmee, mrmee, mrmee, mrmee.
Let me get one thing straight; I'm not an authority on sex, I'm more of a fan. I think sex is nice; no family should be without it. Of course, there are other things that are just as important as sex, like uh . . . like uh . . . like . . . uh . . . well, I'll think of it later.
Me: Well, you see, I, uh, I'm a cancer survivor. Person #1: And how's that working out for you? Me: Well, you see, I, uh, used to have leukemia. Person #2: Dude, how come you're not, like, BALD? Me: Well, you see, I, uh, I had acute lymphocytic lymphoma when I was five. Person #3: Whoa. THAT must'a sucked. I once had my tonsils out.
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
The way I would characterize what you said about me is I do try to say what I think as clearly as I can without first thinking, "Uh-oh, which way is the wind blowing and are people going to like this?"
I get that question almost more than any other. Once people feel a little comfortable, they're always like, 'So, what, uh, uh, what, um, what's your ethnicity?'
Pulp Fiction is a, uh, gritty, urban satire. Pump Friction is a uh-uh, a bunch of uh, dudes and ladies having dirty sex.
Have you ever noticed when you start getting happy, you say, uh-uh, I'd better watch out. I feel too good. Something's going to happen
Have you ever noticed when you start getting happy, you say, uh-uh, I'd better watch out. I feel too good. Something's going to happen.
You had to give, uh, a lot of consideration to the fact that, uh, the artist had to come back into the mike area and start singing, especially the background singers, you know. And you had to make sure they had a couple of bars of music in order to catch their breath. And uh, in many cases a lot of choreographers didn't give that, uh, the proper thought.
The Barbarian Way was, in some sense, trying to create a volatile fuel to get people to step out and act. It's pretty hard to get a whole group of people moving together as individuals who are stepping into a more mystical, faith-oriented, dynamic kind of experience with Christ. So, I think Barbarian Way was my attempt to say, "Look, underneath what looks like invention, innovation and creativity is really a core mysticism that hears from God, and what is fueling this is something really ancient." That's what was really the core of The Barbarian Way.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
A lot of arguments happen among religious and non religious people about the question of who's going to hell and who's going to heaven and uh, a lot of times Christians get into this argument by saying 'we have the only way to heaven.' And uh, people often ask me what do I think is the way to heaven. I have a problem when they ask me this question because it assumes that the primary purpose of Jesus' coming and the primary message of Jesus was a message about how to get to heaven.
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