A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
If anything, when you're in your late 20s, early 30s, and then mid-30s, you're getting less attractive.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
I teach one semester a year, and this year I'm just teaching one course during that semester, a writing workshop for older students in their late 20s and early 30s, people in our graduate program who are already working on a manuscript and trying to bring it to completion.
I wish all high schools could offer students the outside activities that were available at the old Harrison High on Chicago's West Side in the late '20s. They enabled me to become part of a school newspaper, drama group, football team and student government.
I started to have notoriety in my late 20s or early 30s - like the first time someone recognized me in public was probably when I was 29 years old.
That movie [Jawbreaker] was so much fun to shoot. We were all in our mid-20s at the time, playing high school students. Which was the point. It was the point of the film to hire older actors to play high school students. But we had a blast.
Goalkeepers aren't born today until they're in their late 20s or 30s and sometimes not even then. Or so it would appear. To me anyway. Don't you think the same?
When I was in high school at Northeast Catholic in Philadelphia in the late '30s, I found that drawing caricatures of the teachers and satirizing the events in the school, then having them published in our school magazine, got me some notoriety.
If Broadway musicals were as popular as they were in the 20s, 30s, and 40s, then people like Sufjan Stevens and Iron & Wine would be writing for Broadway, which would be amazing. As it stands, it's the worst stuff that's mired in pop music.
I think I'm aware of entering my late 30s versus being in my late 20s, when the web was coming out as this new thing. It reminds me of how people used to tell me about my great-grandmother and how they used to gather around a radio listening to soap operas.
I spent a lot of time flailing around, not really sure what I wanted to do, in my 20s and early 30s.
Germany's hierarchical reverence for seniority may have something to do with the fact that everything here happens relatively late. Germans start school at six, graduate in their late 20s, and get their first proper jobs in their 30s. Adolescence can go on a long time. It is rare for anyone to achieve responsibility before their 50s.
I was blessed in the sense that I got handed so much early on in life. I got a lot of the things people go through their 20s and 30s craving.