A Quote by Ansel Elgort
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
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I always really enjoyed our early days, before we got too famous. We used to play clubs and that kind of stuff all the time. And it was fun. It was good because you get to play and get quite good at the instrument. But then we got famous, and it spoiled all that, because we'd just go round and round the world singing the same 10 dopey tunes.
He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.
Fame is really great in a lot of ways, you know? People are a lot nicer to you. Like, the more famous you are, the more free presents you get. And invitations to really amazing things.
A lot of people think that I and Debina met while filming for 'Ramayan,' and then we got married in 2011. Very few know that when we were nothing, we weren't actors, we were only looking for work - we were just 19 and 20 years old, we eloped and got married, in 2006. We did not tell our parents.
I got really into Martin Scorsese as a teenager, so then it was kind of the whole reason I wanted to be an actor. Just like tons of young actors, I think, get freaked out by the Scorsese/DeNiro movies. I loved all his movies in the '90s, too. Then I got a part in 'The Aviator' and couldn't believe it.
I firmly believe I never had too much of an opportunity after I left Cleveland. I was behind Jamaal Charles at Kansas City. I didn't get too much playing time. I felt when I got in I did well. And then I was in Tampa and never really got to touch the field because of Doug Martin. He's pretty good.
I've got these five-pound weights and a treadmill in the living room. I work out the other parts that have affected my voice: my diaphragm - doctors took mine out in surgery - and my lungs. I've got to build back my legs, too, so I can run across that stage. I've got a lot to do, but I'm going to get out, sing songs and tell the stories.
Not a 'Mad Men' guy. Never got into it. I'm kind of a contrarian that way. If something gets too popular too fast before I can get on it, I just get really annoyed. Everybody tells me I'm an idiot; it's supposed to be amazing. I saw some of the second season; I loved it, but I was just detached. I didn't get into it.
I was really able to confirm something that I knew on some level before I'd made a film. The best actors know how to really relax. Because in film, a lot of the decisions are made in the editing room, so when you're trying to guide your performance too much - always it's a push and pull because you can't be too relaxed. Too relaxed and it's like, "What are you doing?" Too tense and it's not good either.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
Definitely stick with a program for more than a week or too. You've got to ride the program out - a lot of people like to hop around on things, but to get a real good base you've got to stick to a good strength program.
In the past years, I got in a lot of foul trouble because I was out of position, or because I was just too aggressive. I was trying to block too many shots. It's really just learning when to take a chance at blocking shots, and to get to spots early.
But marriage goes in waves. You've got to be patient. People bail and give up on their marriages way too early. They just don't put the work and the effort into it. You've got to suck up your ego a lot of times, because that can be a big downfall.
Obviously my game wasn't too good at Augusta, I had a couple of technical faults, the posture wasn't too good. It's a bit unfortunate because I was playing a lot of good golf, but when I got sick (flu) before The Masters, that was bad timing and I wasn't quite myself.
I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.
Nobody's good. I hate it. I truly hate it. I mean, there's a lot of guys doing stuff I admire, but stand-up-wise I feel very alone. I really miss Bill Hicks. I wish I could have put him on my show. And I really miss Sam Kinison a lot. Richard Pryor's sick... It's like you get here and then, oh wait a minute, there's nobody here any more. I feel like the guy who finally got into Studio 54, three years too late, Duh, where are all the famous people?
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