A Quote by Anthony Anderson

It's a remake of a film called Inferno Affairs. It's a Hong Kong film, and if we come anywhere close to what they did in the original, we're going to have a hot property on our hands, because Inferno Affairs is a great piece.
The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece
I think the Chainsaw remake is very good and captures the spirit of the original film. It's true to the tone of the original, to the point that it's almost a companion piece.
seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film
'Hard Boiled' is my last film in Hong Kong, before I moved to the U.S. It is the one film which is most accepted by the audience in the West.
'Ramaiya Vastavaiya' means, 'Ram, will you come?' The movie is a remake of the Telegu film 'Nuvvostanante Nenoddantana,' which was my first film as a director. So, it's close to my heart.
The universe couldn't care less about us. I say this very clearly in the film [ "Into the Inferno"]: our planet is "indifferent to scurrying roaches, retarded reptiles and vapid humans alike."
The continued erosion of the one country, two systems framework puts at risk Hong Kong's long-established special status in international affairs.
I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.
This site uses cookies to ensure you get the best experience. More info...
Got it!