A Quote by Anthony Caro

But I don't think that sculpture belongs in everyday life like a table does, or like a chair. — © Anthony Caro
But I don't think that sculpture belongs in everyday life like a table does, or like a chair.
My kids learned to color on this table. There's been a lot that's went around this table. Waylon Jennings sat right there in that chair and showed Miley the chords to 'Good Hearted Woman.' Sitting in that chair. This table's a bit like life. It's a circle. And I believe everything in life is a circle. You come into this world a little teeny wrinkled-up fetus
Usability methods are like sandpapering a chair. If you are making a chair, the sandpaper can make it smoother. But no amount of sandpaper will turn a chair into a table.
Travel does what good novelists also do to the life of everyday, placing it like a picture in a frame or a gem in its setting, so that the intrinsic qualities are made more clear. Travel does this with the very stuff that everyday life is made of, giving to it the sharp contour and meaning of art.
Americans are curious about the texture of everyday life in the Middle East because they rarely get to see it. I wanted readers to feel like they were sitting around the dinner table with me and my friends, hearing what average people really say and really think, [where] the dinner table is the best place to find out.
A chair, it's like a sculpture. It starts as a thought and then becomes an idea, something I might think about for years. When the time is right, I express it on paper, usually as a simple line in space. Finally, it takes shape.
Everyone likes fantasy to get away from everyday life, but I think 'Game of Thrones' is not like fairies and unicorns. It's very relatable to everyday life. It's not too fantastic - just a little bit.
This is what I like, sitting at a table and watching people go by. It does something to your outlook on life. The Anglo-Saxons make a great mistake not staring at people from a sidewalk table.
In Sheikie's day, we wrestle. We not use gimmick like the table chair.
Every other piece of industrial design is a pot or a dish or something insignificant. But when you have a chair, it's like a sculpture of a person: it's alive. It's big. You can't miss it. It's a 'look at me!' item.
Like Woody Allen actually does this a lot in his movies, its kind of called magical realism where he has just kind of an everyday, these kind of everyday experiences and all the sudden something magical or supernatural will come into to and I just, I love that and I think everybody can kind of - everybody wants that at some point in their life.
If you're going to be a visual artist, then there has to be something in the work that accounts for the possibility of the invisible, the opposite of the visual experience. That's why it's not like a table or a car or something. I think that that might even be hard for people because most of our visual experiences are of tables. It has no business being anything else but a table. But a painting or a sculpture really exists somewhere between itself, what it is, and what it is not-you know, the very thing. And how the artist engineers or manages that is the question.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
A table, a chair, a bowl of fruit and a violin; what else does a man need to be happy?
A table, a chair, a bowl of fruit and a violin; what else does a man need to be happy.
I am one who leaves the table like a man, without putting back the chair or picking up the plate
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