A Quote by Antoni Tapies
Like a researcher in his laboratory, I am the first spectator of the suggestions drawn from the materials. I unleash their expressive possibilities, even if I do not have a very clear idea of what I am going to do. As I go along with my work I formulate my thought, and from this struggle between what I want and the reality of the material - from this tension - is born an equilibrium.
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I am not an artist and never have been. Rather I am like a craftsman and feel very close to the mediaeval artisans who produced their work anonymously and who, along with their apprentices, had a true feeling for the physical materials they were working with.
I usually have a very clear idea of where I want a song to go, sometimes very specific notes, but I'm generally open to suggestions.
I am a storyteller and a researcher, and I'm sorry the world has a hard time straddling the tension of those two things, but that's who I am.
"Understand the process of the ego. How does the ego live? The ego lives in the tension between what you are and what you want to be. A wants to be B - the ego is created out of this very tension. How does the ego die? The ego dies by you accepting what you are. That you say, "I am fine as I am, where I am is good. I will remain just as existence keeps me. Its will is my will."
I am not drawn to the fairytale kind of love. I am drawn to the real-life experiences between a woman and a man. I try to sing about the way it is, but yet at the same time, what you can hope for between a couple.
I have resigned from the professional undertaking of coin flipping. I am not here to tell you where gold's going to be. I have no idea. That's my existentialism. I am a student of uncertainty, I have no idea where the stock market is going to be. So when I am creating trades in my portfolio for my clients, I am agnostic. I just want to enhance the probability that I make money come what may.
I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing.
At one point I felt a tension between objects, their real, physical lives, and the idea of meaning: the physical, material reality of a book, and the totally intangible experience of reading it.
No one else can want for me. No one can substitute his act of will for mine. It does sometimes happen that someone very much wants me to want what he wants. This is the moment when the impassable frontier between him and me, which is drawn by free will, becomes most obvious. I may not want that which he wants me to want - and in this precisely I am incommunicabilis. I am, and I must be, independent in my actions. All human relationships are posited on this fact.
It will always be the same possibilities, in sum or on the average, that go on repeating themselves until a man comes along who does not value the actuality above idea. It is he who first gives the new possibilities their meaning, their direction, and he awakens them.
Classical music is at odds with contemporary culture precisely because of its insistence on the tension between the bodily and intellectual, the material and the spiritual, the thinglike and its transcendence in thought. A culture that is merely sensuous and that denies the activity of the mind within sensuous materials risks becoming pornographic.
In my mind I first felt like, Oh, I'll be back to work right after the babies are born. But then you don't want to. Even now, it's very difficult for me to leave them in the morning. It just tortures me. I'm like, It's been hours; are they wondering where I am? Do they know that I love them so much and I'm thinking only about them?
At my first job as an independent researcher at MIT Lincoln Laboratory, they told me I could work on most anything, but not what I knew something about. That is actually very good advice to a young person starting a career because you bring new ideas to the field.
I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.
I am no longer going to go along with this idea that we're going to keep spending and borrowing and taking over and raising taxes, that I'm going to do everything I can to change things.
To the last day of your life, be positive; try to be cheerful. Even at the very end, don't think, "I am finished." Instead of pitying yourself, you should be thinking, "O ye who are left on this desolate shore still to mourn and deplore, it is I who pity you." Death will not give you any trouble if you have a clear conscience; and if you go with this thought: "Lord, I am in Thy hands."
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