A Quote by Anushka Sharma

Whenever I work on any Yash Raj film, I feel that they believed in me, and that's why I have been able to be in films today. I had no connection with movies apart from watching them.
It's always a pleasure and a blissful experience to work with Yash Raj Films banner.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
I have grown up watching Yash Chopra ji's films and am a fan of his work.
I'm always watching films. The Academy pretty much sends me every film that's ever been done. I enjoy watching them, especially with the people I know.
I grew up loving action movies and films that were set in supernatural, unimaginable places. So I take being a woman in the film industry who is able to do action movies very seriously because I'm making the kind of movies that I wanted to watch as I was a kid and that inspired me and are the reason as to why I am here.
I started getting modelling assignments and that's how I became interested in acting. But my father, who last watched Dilip Kumar's ' Devdas,' wanted me to do MBA. I didn't listen to him and gave my audition for Yash Raj films' 'Mujhse Fraaandship Karoge' and got selected for it.
People have been watching me since I was eight. They've been watching me grow up, so they feel that connection with me.
Having to work hard never had any real appeal for me, and that may have some connection with me being in the movies.
Chefs have only been able to work in restaurants, high-end cuisine. Why? Why haven't they been able to find other scenarios? For those chefs who want to do avant-garde cuisine, should they be finding their income in a restaurant? These are the kind of questions we are asking ourselves. So the new scenario will allow them to do whatever they want to do, whenever they want to do it.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
My great grandfather had been the neighbourhood 'horse whisperer,' so I've probably loved horses since I was an embryo. Whenever I watched cowboy films as a small child, I wasn't watching the hunky cowboys - which I'd probably do now - I was watching the horses. Even now, I love sitting in the field just watching the way they move.
My connection to 'Aquaman' came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.
I wish we had more female writers. Most of the female characters you see in films today are ‘the poor heartbroken girl.’ That’s why I’m so proud of the Fast movies. I feel like Giselle is an empowering woman.
It's an amazing feeling to feel that I was able to get a personal connection to the work, through the work of it. But I like the idea that I was able to tell a bunch of people's stories even though I didn't know them.
This site uses cookies to ensure you get the best experience. More info...
Got it!