A Quote by Arca
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
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I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
Comedians could do mindless things - and by mindless, I mean the easy jokes and things that you already agree with - but I find it more interesting, more of a reward, for people to feel something. I like to make a human connection, and that involves speaking emotionally, a bit more intellectually, or with a bit more moral complexity.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.
We're just gonna keep making things and challenging ourselves to make them more cheaply and more renegade and more interesting. That's the only thing we might challenge ourselves to do in the age of so many movies and so many TV shows. We're aware that we're asking time of people to watch stuff, and that there's so much stuff to watch, so we're gonna try to offer you something unique. And it may not always succeed, but it will definitely be different.
Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.
It all comes down to what you truly love doing, and what I love doing is overdubbing and making new sounds out of things that are sometimes quite ordinary on their own, but when you put them together, they make something new--or something that sounds new. Just discovering things like that musically is a pleasure.
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.
When I say 'The Hunger For More', it could be referring to more success. It could be more money, or respect, more power, more understanding. All of those things lead up to that hunger for more, because my more isn't everybody else's more. I feel like I made it already, because I got already what everybody on the corners of the neighborhood I grew up in is striving to get. God forbid anything happen to me, my family is straight. So anything that happens after this is just me progressing as a person.
One of the things that 'Too Bright' refers to is how there's a lot of times where I see things that I could change that could make me more contented, but I usually just don't make those changes because they seem new and scary. I just stay where I'm at, even if I'm miserable, because I'm familiar with it.
Work outside of school hours was a necessity at an early age, and with such time as I had I turned toward interests of my own devising, making things, experimenting, and planning for the future. I had read of Thomas Alva Edison and other successful inventors, and the idea of making an invention appealed to me as one of the few available means to accomplish a change in one's economic status, while at the same time bringing to focus my interest in technical things and making it possible to make a contribution to society as well.
The last start of spring training, my (cut fastball) was okay. It just wasn't what I wanted it to be. I tried to work on making it cut more and do more. I think that set (the forearm) off ... trying to make it move a lot, cut a lot. I'm just going to back off and trust it a little bit more and not try and push that.
I realized that influence was inextricably linked to impact — the more influence you had, the more impact you could create. . . . The ability to make things go viral felt like the closest that we could get to having a human superpower.
It's difficult losing, but it's even more difficult when you didn't make a shot. I could see the ball just didn't go your way on an out-of-bounds play or something like that, but when you're just not making them, it's frustrating.
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