A Quote by Ari Graynor

I prefer situational or character-based humor to gross-out gags and comedic set pieces. — © Ari Graynor
I prefer situational or character-based humor to gross-out gags and comedic set pieces.
If you look at 'The Best Man,' there's a lot of humor in that, but I never consider that movie a comedy. I felt that it was a drama with comedic elements and comedic parts to it.
The irony or humor of my pieces is never really calculated, but they somehow always end up that way. Humor, especially when dealing with matters of extreme gravity, has a way of toppling set ideas and opening up new modes of interpretation. Furthermore, adding humor tends to shift the power balance.
I learned that on kids' shows, you have to eat a lot of stuff. A lot of the humor comes from food and gross-out humor.
We have always had gross humor. But we try for funny, not gross.
The thing I liked most about 'Lois & Clark,' we were a fun show. Some of the later 'Superman' stuff is so dark, but I prefer 'Superman' to be a character of light and hope. I prefer the lighter romance and humor.
If you do something that is not gags and punchlines and is character-based, where there are no jokes as such, then it all has to come from a place of truth, and I love that - I love nothing more than getting very serious about my comedy.
Gags die, humor doesn't.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Comedy is all about the character. When you're too focused on the gags, the character suffers, and you don't get the laugh. Comedy has to come from the character.
I'll come out and say it because no one else will: French gross-out humor is the best. Particularly the illustrated variety.
I think there's a little confusion between humor and 'gross' passing for humor. That's kind of regrettable, because they aren't the same thing.
You are in a strange world in pantomime, where you are allowed to step out and talk to the audience and do silly gags. Sometimes I feel like a cartoon character.
I don't know how many sacred cows there are today. I think there's a little confusion between humor and gross passing for humor. That's kind of regrettable.
I'm a bug on acting, which distinguishes Second City from a lot of other revues. It comes from the character, the behavior, and not from the jokes. I don't think jokes are funny. Humor comes out of character and out of situations the character is in.
I can remember the times when I started including humor in novels that were suspenseful. I was told you can't do that because you can't keep the audience in suspense if they're laughing. My attitude was, if the character has a sense of humor, then that makes the character more real because that's how we deal with the vicissitudes of life, we deal with it through humor.
I like to do comedy, but I'll be perfectly honest, I prefer to do drama and more character-driven-based stuff, generally.
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