A Quote by Arlo Guthrie

With the advent of radio and recording, music became an industry rather than just a tradition. — © Arlo Guthrie
With the advent of radio and recording, music became an industry rather than just a tradition.
My parents are musicians. I was listening to the radio and recording songs off the radio on cassette tapes and playing guitars and pianos. Just emotionally responding to music from a very young age.
Radio is not a partner in the industry. I think that the music industry has continued to depend upon radio, but has ended up pandering to a medium that doesn't care.
There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.
I became a recording artist before I knew it. And I just - when I would listen to my old records, I'd just hear this young, extremely nervous fella that that made me want to run out of the room, you know, rather than listen to what he had to say.
Music became so commercialized that I just didn't want anything to do with it. I renounced the industry before it became the fashionable thing to do.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
I have four older siblings and one younger, and all three of my brothers are in the music industry. My dad was really involved in music, too, with the disco, and he also started Radio Caroline and was the one who invented pirate radio, if you like, off on a coast in England on a boat.
The textile industry became a huge deal in 19th century America, kind of like the tech industry is today. And that immigrant tradition continues, especially in tech, America's most dominant and dynamic industry today.
I really believe we in the music industry can work together to find a way to bond technology with integrity and just really hope we can teach the younger generation the value of investment in music rather than the ephemeral consumption of it.
I had been creating music on tape that was to be listened to as a recording, rather than through performance.
I became inspired while I was listening to music on the radio. I felt the music in my head sounded better, so I turned off the radio and scribbled it down on a piece of paper. I remember that it was in May. People liked that song. They said it was beautiful. I felt overjoyed.
I would rather fall flat on my face than try to just make a quick dollar by making music that fits into the radio format right now. It does nothing for me.
In recent years, you've probably read the articles about major recording artists who have decided to practically give their music away, for this promotion or that exclusive deal. My hope for the future, not just in the music industry, but in every young girl I meet...is that they all realize their worth and ask for it.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
About 1990 there was a huge shakeup in the music industry and the 6 major record companies fired all the music people and hired business graduates to take over the spots. So the music became not as important. What really became important was the bottom line, how much money you could make.
In many ways I'm an experimental and new music composer that comes from a rural tradition rather than an urban one.
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