A Quote by Arlo Parks
I wanted to really delve into the idea of reckoning with difficult things in one's past - and celebrating the joyful things, and honoring the stories that have made me who I am.
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One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.
The great arises out of small things that are honored and cared for. Everybody's life really consists of small things. Greatness is a mental abstraction and a favorite fantasy of the ego. The paradox is that the foundation for greatness is the honoring of small things of the present moment instead of pursuing the idea of greatness.
I'm really glad that I made a lot of mistakes, poorly chose my friends throughout my twenties, and didn't have a rocket trajectory that set me on one path without making any mistakes or having any setbacks. The older I get, the more I realize that it's all of these failed, horrible things from my past, and the stories that they generated, that are the things I will draw on for the rest of my life.
I like things that are difficult, physically and mentally. Things that are really challenging, things that really maybe take a long time but really push me to my limits.
When I say things, when I speak on television, I'm not making stuff up. I'm not, like, sitting in the back with a notepad thinking, 'Maybe this will make them think I'm crazy'. That's how I really am, you know? My views on this and that, which I really don't want to delve into, but my views are that of the real me. There is no character.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
I was always writing stories, even as a kid. I always wanted to be in the plays and do that sort of thing. Screenwriting started to really appeal to me because the idea of being able to make things that many people got to see became very captivating.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
I hate even the idea of a synopsis. When stories are really working, when you're providing subtextual exploration and things that are deeply layered, you're obligated to not say things out loud.
I think as someone who collects beautiful things from the past, the thing that I miss the most about modernism and the things I lament about the past are everyday things that you would use were made more beautifully.
I am interested in the past. Perhaps one of the reasons is we cannot make, cannot change the past. I mean you can hardly unmake the present. But the past after all is merely to say a memory, a dream. You know my own past seems continually changed when I am remembering it, or reading things that are interesting to me.
One of the beautiful things about having kids is I had no idea how much it will make you look into yourself and who you are and what you believe in and what your past was like and all that kind of stuff. I think it's made me really look at life in a much more intense way.
I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.
I wanted to try new things, I had ideas for things that I had done in the past and I watched people, I saw their styles, new things came to me and I've integrated that into my matches.
I'm into the idea of responsibility and edification and these things have found me and I have found them. I wanted to be in the movie and I made it known to Mike.
I look back and think of all the times I've had to let things go in the past, and how traumatic it seemed while it was happening, but how my understanding of it changed as time passed - and oftentimes things that seem really difficult and traumatic in the short term seem a lot less difficult and traumatic in the long term. So I remind myself of that.
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