My whole life everyone always said 'it can't be done', 'you'll never do it', 'you will fail', 'no one has ever gone from Austria and become a Mr Universe, blah, blah, blah', or when I ran for governor people were sceptical. It was 'you're going to lose' and 'people don't take people from show-business seriously in politics'. So, I've heard all the 'it's impossible' thing but I didn't pay any attention because I believed that I could do it.
Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
All men hear is blah, blah, blah, blah, SEX, blah, blah, blah, FOOD, blah, blah, blah, BEER.
I've often heard people say that managing creative people is the hardest thing in the world. 'They're never happy, they drive up the cost of things, blah blah blah.' I just manage people the way I always wanted to be managed. That is, to be creatively challenged, but never to be told what to do.
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
MacPherson told me that my theorem can be viewed as blah blah blah Grothendieck blah blah blah, which makes it much more respectable.
My whole freshman year at Duke, it was drilled into me that nothing was given to you, and you have to earn it, and this is a dog-eat-dog world, and blah blah blah, and blah blah blah. And you buy into it, 100 percent. You end up loving it. That's the way it should be, right?
One of my personal favorites [potential guests] would be Darren Criss from GLEE. I think that guy is so talented, and he’s fast. I think that’s the thing — we don’t have people just because this guy is a star on blah, blah, blah show; you want someone that has personality and can put two sentences together and that doesn’t take themselves quite so seriously.
When 'American Slang' came out, everyone was like, 'This is the next big band in the world, and this is blah blah blah Bruce Springsteen Junior and blah blah blah,' and I was just like, 'I don't know what that means. I don't know. We'll see.'
I think as we get older, as we get more mature and more experienced, we do realize it's like, 'blah, blah, blah,' oh there's the information I need, and then 'blah, blah, blah,' right? So we do this triage, I feel like, of what people say to us.
If you have very few experiences in your life, romantically, or whatever you're doing, then of course you're going to talk about those, because there were only a few of them - as opposed to the people who repeat patterns, always at the bar, always with someone, always blah blah blah.
I think women of a certain generation, mine in particular, feel like we can have it all because that's what we were fed. It's like, we reap the benefits of the feminist movement - they did all the legwork and now we're going to try to be parents and successful business people and great wives and good friends and take a cooking class and blah, blah, blah.
My doctor told me i had Attention Deficit Disorder. He said, 'ADD is a complex disorder, blah, blah, blah,' I didn't pay attention to the rest.
I love doing improv, and I swear by it, and I encourage people to take classes, and blah blah blah. But it's always been interesting how it doesn't necessarily translate to television.
whenever they get a chance, never fear, people make you waste hours and months ... they use you as a wall to bounce their bullshit off of ... blah! and blah! and blahblahblah! ... you put up with it for an hour, you'll need two weeks to recover ... blah! blah!
Hype is wonderful when it happens, and you should capitalize on it. But you shouldn't bank on it being the thing that will take you to the next step. Because it's fleeting. The blah-blah-blah goes away, but you're still there.
I remember when in the early days of rock'n'roll, when everything sounded totally different, all amazing and blah blah blah blah blah. Now you can play me one second of any record from that time, and I'll say "1959" or "1961." I can hear precisely. It's like it has a huge date stamp on it.