A Quote by Arthur Koestler
The revolutions of thought which shape the basic outlook of an age are not disseminated through text-books- they spread like epidemics, through contamination by invisible agents and innocent germ carriers, by the most varied forms of contact, or simply by breathing the common air.
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Style is, above all, a system of forms with a quality and a meaningful expression through which the personality of the artist andthe broad outlook of a group are visible,... communicating and fixing certain values of religious, social, and moral life through the emotional suggestiveness of forms. It is, besides, a common ground against which innovations and individuality of particular works may be measured.
I know what cancer was. How is it like humankind?" Sek Hardeen's perfectly modulated, softly accented tones showed a hint of agitation. "We have spread out through the galaxy like cancer cells through a living body, Duré. We multiply without thought to the countless life forms that must die or be pushed aside so that we may breed and flourish. We eradicate competing forms of intelligent life.
Along with the possibility of extinction of mankind by nuclear war, the central problem of our age has therefore become the contamination of man's total environment with such substances of incredible potential for harm-substances that accumulate in the tissues of plants and animals and even penetrate the germ cells to shatter or alter the very material of heredity upon which the shape of the future depends.
Most people think that aging is irreversible and we know that there are mechanisms even in the human machinery that allow for the reversal of aging, through correction of diet, through anti-oxidants, through removal of toxins from the body, through exercise, through yoga and breathing techniques, and through meditation.
Are you open for this possibility of the energy source of breathing to go through you or are you collapsing? Are you open to this coming and going of air and the possibility-wea ther we sit, or stand, or lie-to allow this exchange of air through us?
I breathed the air of deliverance through books, and through books I leapt over the walls of confinement.
They ignore what is deep and true to a man's heart, his real passions, and simply try to shape him up through various forms of pressure.
Many, if not most, of the best and most lasting children’s books have multiple levels, some of which are not fully accessible to their most likely readers…at least, not on their first read-through at age eight or ten or fifteen.
My monumental netted sculptural environments move through time, animated by an ever-changing 'wind choreography,' making invisible air currents suddenly visible to the human eye. I make living, breathing pieces that respond to the forces of nature - wind, light, water.
Through ignorance, through faith, through intelligence, through trickery and cunning, through illumination, the reader rewrites the text with the same words of the original but under another heading, re-creating it, as it were, in the very act of bringing it into being.
There is an invisible thought-stuff on which the mind acts, making things through the operation of a law not yet fully understood by man. Every thought moves upon this invisible substance in increasing or diminishing degree. When we praise the richness and fullness of God, this thought-stuff is tremendously increased in our mental atmosphere. It reflects into everything that our mind and our hands touch.
Reports have indicated that several border agents have contracted diseases through contact with the unaccompanied minors.
We now know that human transformation does not happen through didacticism or through excessive certitude, but through the playful entertainment of another scripting of reality that may subvert the old given text and its interpretation and lead to the embrace of an alternative text and its redescription of reality.
The most basic definition of fluency is simply the ability to read text accurately and quickly.
The "germ," wherever gathered, has ever been for me, "the germ of a story," and most of the stories strained to shape under my hand have sprung from a single small seed, a seed as remote and windblown as a casual hint.
What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which leans from the visible to the invisible through reality. It may sound paradoxical, but it is in fact reality which forms the mystery of our existence.
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