A Quote by Artie Shaw

The distance between me and Benny [Goodman], was that I was trying to play a musical thing, and Benny was trying to swing. Benny had great fingers; I'd never deny that. But listen to our two versions of 'Star Dust.' I was playing; he was swinging.
When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'
Above all else, [Benny Goodman] was a great player, one of the greatest American music has produced. He brought his absolute talent and his invincible love of music to the fore every time he played. There are many other things connected to society and ethnicity that are often mentioned in a discussion of Benny Goodman but all of them are connected to his overwhelming affection for the art of the music and the fairness it should be allowed to express.
Everybody in Germany was for the -German cause. But then, after the war ended, when I heard the first Glenn Miller sound on the radio and these fantastic American music makers, I turned into a jazz fanatic. They called me Benny, after Benny Goodman. So, all of a sudden, the eyes of young Germans were opened to America - everything American was absolutely at the top of the list.
Benny Goodman plays the clarinet. I play music.
I started off playing the clarinet, after I was inspired by listening to my dad's Benny Goodman records.
When I was young kid, I used to watch Jack Benny, and I thought the minimal aspect of what he did was revelatory. I loved Jack Benny.
When it came to all around ring generalship, Benny Valgar was on a par with Benny Leonard, though Leonard packed the better punch
Jack Benny, Fred Allen. Their jokes were wonderful. It takes skill to be funny. The timing of Jack Benny was so fine. It is a form of genius for which we should be grateful.
I'm working really hard to get the clarinet out of that hole, that Benny Goodman thing.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
I had the chance to play with Benny 'The King' Carter here in Copenhagen for three days in the Montmartre, and two days in Paris. 'What a Thrill.' He knows so much music, and he is the only person that I get the shakes trying to play my horn behind or with him (smile). However, it was a ball.
Everybody ought to listen to Benny [Carter]. He's a whole musical education.
I had never heard anyone play like Benny Goodman and had never seen anyone like him on the stage. I realize now that what impressed me and stayed with me in memory was - the sounds he made. He played so purely. The music seemed to come from him, not just the instrument he played with such mastery.
The brilliant explosion known as Benny Goodman went off in 1935, and it hasn´t gone out yet.
Since the advent of Benny Goodman, there have been too few clarinetists to fill the void that Goodman left. Ken Peplowski is most certainly one of those few. The man is magic.
I love Benny Hill. He one of my favourites of all time. Like, the way Benny did it, he was just amazing. Just seeing how he put songs together and comedy and the timing and the sketches. He was way ahead of his time.
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