A Quote by Ashley McBryde

I have a big love for jazz music. The only thing I hated about singing with a jazz band was having to wear a gown to everything. — © Ashley McBryde
I have a big love for jazz music. The only thing I hated about singing with a jazz band was having to wear a gown to everything.
I grew up in a home filled with music and had an early appreciation of jazz since my dad was a jazz musician. Beginning at around age three I started singing with his band and jazz music has continued to be one of my three passions along with acting and writing. I like to say jazz music is my musical equivalent of comfort food. It's always where I go back to when I want to feel grounded.
One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding. And yet, big band jazz has a real military side to it.
Jazz is a big thing with me. It's a very big passion of mine, to play it. I'm an amateur musician and I love everything about it. I was obsessed with jazz when I was 15 years old and I know a lot about it because I've loved it so much.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
Childhood, all me influences were, say, between the time that I can remember, which would have been about three years old to the time that I was about five or six years old, all the music that I ever heard was jazz and it was American jazz, and it was big-band jazz, to be more defined.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
Jazz really does try to include everything. It's always been popular music. But the wonderful thing about jazz is its willingness to take chances.
I'm comfortable singing jazz. The only thing I was concerned about is that everybody, even in jazz, has their own style. To me, the queen of doodling was Ella Fitzgerald, and scatting is something I never thought I could do.
In the Bay Area, there was a resurgence of Dixieland jazz in the '40s - there was the Frisco Jazz Band, and Lu Watters and the Yerba Buena Jazz Band.
The podcast 'A History of Jazz' began telling its story in February - 100 years after the recording of 'Livery Stable Blues' by the Original Dixieland Jazz Band, the start of jazz as a legitimate branch of music.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
My first love of jazz came from joining the Chilliwack Middle School band - it was like an 18-piece jazz band, and I wanted to join just because the older kids looked like they were having so much fun.
I love music, I love all kinds of music, particularly jazz. Jazz is an extension of America. There's no other country in the world that could have produced jazz.
That's what it is-it's jazz. It's just jazz. That's what the whole thing is about to me. It's about what's happening right now in this context. This conversation is jazz to a certain extent. It's improvisation. What appeals to me about music is the improvization. That's what I don't like about the media-they're not living it.
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