A Quote by Asin

Each film has its own fate, and you can't go through personal emotions based on the highs and lows of a film. — © Asin
Each film has its own fate, and you can't go through personal emotions based on the highs and lows of a film.
My personal style has seen so many highs and lows. Probably more lows than highs.
Apart from the highs and lows of when your film releases, there's a strange, addictive quality that making a film has because of all that drama. There's so much that goes on, and we miss it when it's over.
For me, 'Sultan' was like a resurrection. I think my career was almost dead. You go through these lows and highs in life, especially in a film career and you live with your chin up.
If I could find a way to make a film that takes you into the mind of a fighter, where you have 36 minutes of combat with so many different emotions, so many highs and lows, so many obstacles to overcome, I'd do that.
I'VE NOTICED, FROM MY EXPERIENCE, IF THE EXTERNAL, EMOTIONAL CONSTRUCTION OF IMAGES IN A FILM ARE BASED ON THE FILMMAKER'S OWN MEMORY, ON THE KINSHIP OF ONE'S PERSONAL EXPERIENCE WITH THE FABRIC OF THE FILM, THEN THE FILM WILL HAVE THE POWER TO AFFECT THOSE WHO SEE IT.
With the right outlook, you can learn to entertain yourself and entertain each other so you can enjoy doing what you're doing. There's obviously gonna be highs and lows, and the trick to it is to be able to maintain composure and stay high even when you're in the lows. That way, when you hit the highs ,it'll be twice as killer.
I faced failure with my first film, 'Khamoshi.' All of us have our highs and lows, except Lata Mangeshkar.
You're going to have highs and lows, but it's how you get through the lows.
You have to go through the lows to go through the highs as well. It's something that's made me into a man.
You just go through highs and lows as an individual payer and as a team.
Life has to be everything. It can't be all sad. It can't be all peaches and cream. Because the lows have you appreciate the highs. And the highs give you perspective on the lows. If it's not everything, it becomes flat or mundane.
I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.
There are so many highs and lows for an athlete. But the highs outweigh the lows.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
You can learn more from the lows than the highs. The highs are great but the lows make you really look at things in a different way and want to improve. Every player will have both in their careers and I have, but what you get is that experience which is so important to perform at your best.
You've got to be able to take the highs and the lows, and certainly I am not very good at taking the lows. I'll be the first to admit it. But when the highs come your way you've got to treasure them because you never know how many more you'll get.
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