A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.
Right after 'Backspacer,' my best friend got killed tragically. Something happened to me then where I got super motivated. I had a shelf of all this unfinished music... So I just went to work and made a conscious decision that I was going to finish a bunch of stuff. Life's short.
When they were naming vitamins they must have thought there were going to be way more vitamins than there ended up being. OK let's name these: Vitamin A, Vitamin B... ok man slow down we've got a lot to cover here. B2, B3, B4, B5, B6, B12. Then they got to E and they were like 'We're pretty much done. We've got all those damn B's. This is embarrassing. Let's just skip to K and get the hell out of here.
My stomach was hurting, so I just told the doctor, let me get a MRI. I went and got an MRI and two hours later, they told me I had got cancer. I said something like, 'Hell no. I ain't got no cancer, y'all trippin'.'
Daniel Bryan is a friend of mine. It's sort of funny that the relationship that you saw between Team Hell No on screen, it sometimes goes the same way off screen as well. He is a great human being and good friend of mine, and frankly, the Team Hell No stuff helped me.
I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.
Ever since I was a about seven or eight; I think it was seven. My brother said "I want to start acting," and me and my sister just said, "Oh we'll try it, we'll see." It was just one of those things - we were just like, "Oh, we'll see what happens." So we ended up - all my siblings and me - we ended up just trying it, and I got that one role on In Plain Sight and then we just decided to keep going and see what happens. And then: Hunger Games.
Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.
I love classical. I have a lot of, like, Bach and Mozart and stuff. Then you flip on over, and I've got, like, Kanye West and, you know, just a bunch of - I am very eclectic. I love every sort of music.
A friend got attacked outside a nightclub just for being deaf. I stuck up for him but ended up getting in a bit of a trouble myself. I played with a tag at Stocksbridge. I had a little curfew. Luckily, it didn't stop me playing football. Being put on a tag, I could have lost playing football again.
As a rookie you sort of don't really know if you're good enough, and then you start listening to a bunch of random things or just out looking for a bunch of random things that don't help.
I had read some books on the Baha'i Faith. I had read - I was looking into Buddhism and trying to understand sort of the agnostic approach, so there was just a bunch of stuff I was just looking at.
I was surrounded by a bunch of friends who made music, and at the time, I thought they were good. They used to tell me I was really bad, but it ended being up the opposite.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
I had a friend who had done the cinematics for 'Splinter Cell: Conviction,' so he kind of indoctrinated me into the series. I did a bunch of temp stuff for him - I roughed stuff in the game for him, playing about nine characters - just so he had some character templates to work from.
I don't really sweat the small stuff at all and I just feel like I'm more patient. It's probably just a combination of age and being through a bunch of stuff in my life.
'House' has opened a lot of doors for me. I've met a whole bunch of people and got a whole new bunch of contacts. I've got the golden ticket.