A Quote by Badshah

When you act you realise acting is not that difficult - the other technicalities are, like the mark, angle, light, etc. So you just not have to memorise your lines but keep in mind the mark, the angle and light. It is difficult.
They tell you to memorize your lines, follow your light, and hit your marks. Those are the three things that you shouldn't do. You should not learn your lines, you should not hit your mark, and you should never follow your light. Find your light - that's my opinion. Everyone else will tell me I'm wrong, but that's my opinion.
But I have learned over the years that all I can do is reach for something difficult - try to get the colors right and the negative space, the angle of the light. And if a few people can see it, that has to be enough.
I feel like everything you learn as an actor growing up is wrong. You're supposed to hit your mark, find your light and know your lines. Those are all things that just make things wooden, dull and boring.
Without an observer at a twenty three degree angle to the light being reflected off a cloud of spherical droplets, there is no rainbow. The whole universe is like that. Our spirits stand at a twenty three degree angle to the universe. There is some new thing created at the contact of photon and retina, some space created between rock and mind.
Isn't it funny how the memories you cherish before a breakup can become your worst enemies afterwards? The thoughts you loved to think about, the memories you wanted to hold up to the light and view from every angle-it suddenly seems a lot safer to lock them in a box, far from the light of day and throw away the key. It's not an act of bitterness. It's an act if self-preservation. It's not always a bad idea to stay behind the window and look out at life instead, is it?
Every angle acknowledges that it is a likeness of true angularity, for [each angle] is angle not insofar as angle exists in itself but insofar as angle exists in something else, viz., in a surface. And so, true angularity is present in creatable and depictable angles as in a likeness of itself.
To have a record crowd for What Culture, to be in there with Kurt Angle and not to be just, like, Kurt Angle plus garnish, for it instead to be Kurt Angle v. Cody Rhodes, our second match, actually - it was very vindicating. It's also nice, you know: the greatest revenge in all the world is success, so it's nice to be vindicated.
I was born with a stain. A mark. Like the mark of Cain. But is the mark of my father, my family. The mark of Borgia. I have tried to be other than I am. And I have failed. And If I have failed you in the process, I am truly sorry.
To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
Error is multiform (for evil is a form of the unlimited, as in the old Pythagorean imagery, and good of the limited), whereas success is possible in one way only (which is why it is easy to fail and difficult to succeed - easy to miss the target and difficult to hit it); so this is another reason why excess and deficiency are a mark of vice, and observance of the mean a mark of virtue: Goodness is simple, badness is manifold.
Like wind-- In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course. Like light-- In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses. Like wind. Like light. Just this--on these expanses, on these heights.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
A lot of the time, as an actor, you don't have the freedom to change what your lines are, and they can often be very unnatural or difficult to portray in a real light.
To do easily what is difficult for others is the mark of talent. To do what is impossible for talent is the mark of genius.
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