Imagine a city where graffiti wasn't illegal, a city where everybody could draw whatever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited, not just the estate agents and barons of big business. Imagine a city like that and stop leaning against the wall - it's wet.
I'm not from Indianapolis, but I like living in Indianapolis. If I were to explain it, I'd tell someone to imagine a city that perfectly captures the best and the worst of America. Imagine the truly American city, because that's what it is.
Imagine a safe city with all the affordable housing we need, a city that uses its resources to help lift the marginalized up and into stability. This is the Portland I imagine. This is the Portland I dream about every single day.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
Violence and hatefulness have never been - nor will they ever be - who we are. This is the city I was born in, the city I was raised in and the city I love. Portland is also a united city.
This is the city of the underdog champion, so they want to see the next person out of their city blowing up and making I feel like, man, Atlanta's a big city, but it's so small.
At 18, I took a Greyhound bus to New York City, and then I was in city after city, so I was just dying to get to the country. Everywhere I'd go, I'd just shoot out to a national park somewhere and reconnect.
Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
Israel's capital will never again be a divided city, a city with a wall at its center, a city in which two flags fly. This city, will, in its entirety, absorb immigrants, welcome pilgrims and be the eternal capital of Israel forever.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
Madrid is not as big as London, but it is true when you are coming from a big city like Madrid, nothing is going to surprise you, and I am very happy to move to a city like London. It is a big city, and you can do everything you want with the respect that the English people always have.
Each piece that I put in the street is unique. I never make the same piece twice. For Hong Kong, like for every city where I have worked, I try to adapt my work to the culture and the 'colors' of the city.
[On Las Vegas:] ... The City That Never Sleeps. The City That Sins and Smiles and Lives On the Edge. The city where vices become virtues, become what everyone is here to do.
So it's rare if I go to a city and don't shop. I know different store systems in every city so I just like doing business everywhere I go.
I like to try to shoot in the city in a way that allows the city to go about its business while we're shooting, and that's always a challenge because unfortunately people on the street don't know not to look in the camera or interact with the actors.
I like to try to shoot in the city in a way that allows the city to go about its business while we're shooting, and that's always a challenge because, unfortunately, people on the street don't know not to look in the camera or interact with the actors.