A Quote by Banksy

Graffiti is only dangerous in the mind of three types of people; politicians, advertising executives and graffiti writers. — © Banksy
Graffiti is only dangerous in the mind of three types of people; politicians, advertising executives and graffiti writers.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
Many people decorate their homes with designer graffiti, even though most of them would probably have real graffiti scoured off the walls of their buildings.
Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.
One piece of graffiti doesn't mean much. Forty pieces of graffiti might mean something... It's all about connecting the dots.
All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.
I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn't be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and uncontrolled freedom.
I didn't start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didn't know who Jean Michel was, but I knew his work.
Graffiti writers will never stop. They'll just evolve. It's interesting what ideas people come up with and how it all extends forward.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
I didnt start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didnt know who Jean Michel was, but I knew his work.
Graffiti is like building a career. And there is a dialogue with the other artists out there mostly fellow writers because a lot of people who don't paint just see a blur when they look at it.
People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly.
The argument that most lawmakers make about graffiti is that it's illegal because it's an eyesore, but you could easily argue that a lot of advertising is an eyesore.
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