A Quote by Barbara Sukowa
They wanted me to do movies and television when I was very young, and it was a big temptation, but I really thought the only way I could learn the profession was on the stage.
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I really never had any thought about being a legitimate actor, like a stage performer. I wanted to make movies. I wanted to do television and make movies.
I thought I'd be doing theater, really. That's all I had experience with growing up. I mean, I saw movies and television, but I don't think I really connected at a young age that that was acting, that that was part of the profession.
I grew up watching movies and television, and one day when I was really young I told my mom I wanted to become an actor, and she was really supportive and got me involved in local theater and commercials. From there I moved up to auditioning for movies and television.
What do I need a movie for? The stage is on a higher level in every way, and a more satisfying medium. Movies, by comparison, are like calendar art next to great paintings. You can't really do very much in movies or in television, but the stage is such an anarchistic medium.
I feel like I grew up being babysat by a television, and all I ever wanted to do was be in movies, direct movies, make movies, but it took me a really long time to be honest with myself about it because my background is that my family was very poor.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
I can't even begin to describe how I miss him. He always supported me in everything I did. He was a very wise man and I realised at an early age I could learn a lot from him. He always gave me the right answer. But above all he was a very easy-going guy and all he wanted was to be my best friend. I'm an only child and so he shared everything with me. Of course he was very young to die and I was very young to lose a father. But there was nothing left unsaid between us.
I grew up watching movies and television, and one day, when I was really young, I told my mom I wanted to become an actor, and she was really supportive and got me involved in local theater and commercials.
The work on satisfactory formulation of technical patents was a true blessing for me. It compelled me to be many-sided in thought, and also offered important stimulation for thought about physics. Following a practical profession is a blessing for people of my type. Because the academic career puts a young person in a sort of compulsory situation to produce scientific papers in impressive quantity, a temptation to superficiality arises that only strong characters are able to resist.
At the end of the day, the only thing I ever wanted to feel was loved. So I think if I could give someone a piece of advice, it's really learn how to be kind to yourself. In all of our ugliness and all of our brokenness and our bad choices, to really learn to nurture that part of yourself that can be your own big sister in a way.
My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?
I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.
I really wanted to do plays since I was a little girl. I wanted to go to Juilliard and to learn, but then I really fell in love with doing film and television along the way.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
I thought I'd be on TV and movies - that's what I really wanted - and I can't believe I didn't need to do that. I did it on my own with just me and my camera. That's very, very weird.
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