A Quote by Baron Corbin
I don't get paid by the hour; I go out there and get it done and get out. That's the way I want it to be.
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The men who go out the scientists who go out, they have so much fun on the way that when they get there well it's done. So they're looking for another thing. You see the objective may remain the same - the search - but you must get lost on the way, get stupid to my mind, this is what you do in theatre; a team of people go out to look for something, they find, maybe, something else.
The bottom line is, don't be a lifer. Get in, get a business, get five years of what you can, and get out. What happens is they start listening to the promoters, 'You'll get the next main event.' And then, all of a sudden, you become a lifer. That's the kiss of death there. Get in shape, go in, get the money, get out, and have a wonderful life.
I'm just going to go out there knowing my teammates are depending on me to get the job done. I've got to go out and get it done, no letting down.
We are told No, you're unimportant, you're peripheral - get a degree, get a job, get a this, get that, and then you're a player. You don't even want to play that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
I will be very grateful that I get to go out and play a song and get well paid for it.
Get the hell off the Beach in Asbury Park and get out. You're done. It's 4:30 PM. You've maximized your tan. Get off the beach. Get in you cars and get out of those areas.
If you want to catch beasts you don't see every day, You have to go places quite out of the way, You have to go places no others can get to. You have to get cold and you have too get wet, too.
When I get ready to go out, it's half hour and we're out of the door. I don't want to waste time getting ready: I want to go and have fun.
I have to put a business model together because certain businesses are approaching me as a legend, as if I'm on my way out. Same goes for the way I get presented on the VH1 Hip Hop Honors and BET. I get lifetime achievement awards because of who I am and what I've done, but they want to put me in a place, as if I'm on my way out.
We think that life is about get the girl, get the guy, get the car, get the job, get the house, get the kids, get the better job, get the better car, get the better house, get the promotion, get the office in the corner, get the kids on their way, get the grandkids, get the retirement watch, get the cruise tickets, get the illness, and get the heck out. That's it. That's a good life. But life has nothing to do with any of that. That is not our purpose in living. That is not the Agenda of the Soul.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
The women who take husbands not out of love but out of greed, to get their bills paid, to get a fine house and clothes and jewels; the women who marry to get out of a tiresome job, or to get away from disagreeable relatives, or to avoid being called an old maid -- these are whores in everything but name. The only difference between them and my girls is that my girls gave a man his money's worth.
After I get dolled up and lay down some records and my voice is out, I want to get away and get my back blown out for like a week. Mess up the hair and make-up that I got done. I have been in prison for a while.
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