A Quote by Baron Corbin
If I walk into a room, and nobody knows who I am, and they've never seen wrestling a day in their life, I want everybody in that room to look at me and go, 'That guy does something. He is somebody important.'
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Wrestling has been a way of life with me day in and day out. I won't get too far away from it. I might walk through the wrestling room once a week. I could go every day if I wanted. But just walk through, make sure it's still there.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
When you walk in a room, the room should feel that this guy's different. What does he do? Who is he? And that's confidence, not cockiness.
It's kinda like Hulk Hogan whereas any time Hogan walks into a room, he's got that distinctive look. Everybody, whether you're a wrestling fan or not, you know who he is. Chuck has that same thing. Whether you're an MMA fan or not, he'll walk into a room and everyone goes, 'Oh, that's Chuck Liddell.'
Nobody is going to buy one of our dresses because it will do, or as something to hide away in their wardrobe and wear at some dimly undetermined point. They always have an event of some kind in mind. They want to walk in the room and for everybody to think how amazing they look. That's the job, really.
When I go into a pitch room and I'm pitching something with a writing partner, everybody tends to look at the guy, even if I'm doing a lot of the talking.
I understand that I have a certain look that can be used to my advantage. I know the power of that when I walk into a room and talk to people, and I can use it as an advertising tool. Now I am actually selling me, my face, my thoughts. So I am my guy.
The sport of wrestling is a tremendous builder of the values and characteristics which are needed to succeed in any walk of life. Much of what I have managed to achieve in life I owe directly to the years I spent in the wrestling room, as an athlete and a coach. Wrestling is a great educational tool.
The chi of a room is important to me. If I walk into a hotel room and it doesn't feel right, I ask to change.
I was never the smartest guy in the room. From the first person I hired, I was never the smartest guy in the room. And that's a big deal. And if you're going to be a leader - if you're a leader and you're the smartest guy in the world - in the room, you've got real problems.
I've never been the sort of person to walk into a room and have *clicks fingers* 50 women want to sleep with me, ok, and suddenly you walk across a stage and you have a video clip and you know girls want to go out with you and think you're beautiful!
If you walk into the room, and you're smiling and have a pep in your step, people are going to be drawn to you. If you walk into a room and you're sad and you look insecure, it's bad energy.
This is a story about four people named Everybody, Somebody, Anybody and Nobody. There was an important job to do and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry because it was Everybody’s job. Everybody thought Anybody would do it, but Nobody realized that Everybody wouldn’t do it. It ended up that Everybody blamed Somebody when Nobody did what Anybody could have done.
...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
When I'm with him, there is someone with me in my house of grief, someone who knows its architecture as I do, who can walk with me, from room to sorrowful room, making the whole rambling structure of wind and emptiness not quite as scary, as lonely as it was before.
Usually when I'm painting something it takes a lot of focus. I have the room I go into called the white room. In my imagination when I'm really focused I go into that white room and all that's there is me, my painting, and my tools. There's no distraction. When I'm really concentrated I like to have it silent but when I'm doing something that doesn't have to be necessarily perfect, I can just go for it.
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