A Quote by Barry Barish
If we get to the design sensitivity and make no detections, then there are a lot of things that will have to go back to the drawing board theoretically. If we fail, we're not expecting that the NSF will help bail it out somehow.
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Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes. I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and the colors around it and what it will really look like. It's only a guess at the beginning, and then I try to refine it.
For me, after every game you look yourself in the mirror and ask 'what can i do better, what can i do to help this team?' Then you go back to the drawing board and you go back and you work hard.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.
We're going to go back to the drawing board and see what we can correct. But at the end of the day, we fought Manny Pacquiao in a chess match, we did well and what doesn't kill us will make us stronger.
But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
You can build a brain the size of a room, theoretically. You could also build a silicone based life form and it could be sentient. There's no limit to the height that you can reach in terms of design once we figure out how to design things, theoretically.
I try not to make political arguments personal. It doesn't help and it switches a lot of people off. The real questions: Will we have peace? Will we have justice? Will we have pensions? Will we have free education? Will we have public services? .... those are the sort of things which interest me. I don't think that having a go at individuals really helps get your point across apart from anything else.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people.
Sometimes life is hard. Things go wrong—in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. . . . Someone on the internet thinks what you’re doing is stupid or evil or it’s all been done before: make good art. Probably things will work out somehow, eventually time will take the sting away, and it doesn’t even matter. Do what only you can do best: make good art.
If you can delude yourself by believing that there is some kind of Santa Claus out there who is going to bail you out in the end, then it will help you get through. Even if you are proven wrong in the end, you would have had a better life than a non-believer.
If we accept that we have at least an iota of free will, we cannot throw it back the moment things go wrong. Like a human parent, God will help us when we ask for help, but in a way that will make us more mature, more real, not in a way that will diminish us.
It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
When the inventor of the drawing board messed things up, what did he go back to?
If you can't fail then how can you possible develop as a communicator or as a creator of anything? We are locked into a deeply unhealthy notion that somehow you've got to succeed all the time. An appalling notion. Any painter or writer will tell you that that is no way to proceed. One of the things that will kill off a decent actor, especially a young actor early on and they will never recover from it, is too much success. It's disastrous. You stop being criticized, therefore you stop challenging yourself. You then can't afford to fail because there's too far to fall.
Everything comes out of nothingness and goes back into nothingness. Hence there is no need for attachment, because attachment will bring misery. Soon it will be gone. The flower that has blossomed in the morning, by the evening will be gone. Don't get attached; otherwise in the evening there will be misery. Then there will be tears, then you will miss the flower. Enjoy while it is. But remember, it has come out of nothing, and it will go back to nothing. And the same is true about everything, even about people.
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