A Quote by Basil Bunting
All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
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Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
Every day look at a beautiful picture, read a beautiful poem, listen to some beautiful music, and if possible, say some reasonable thing.
Theology is-- or should be-- a species of poetry,which read quickly or encountered in a hubbub of noise makes no sense. You have to open yourself to a poem with a quiet, receptive mind, in the same way you might listen to a difficult piece of music... If you seize upon a poem and try to extort its meaning before you are ready, it remains opaque. If you bring your own personal agenda to bear upon it, the poem will close upon itself like a clam, because you have denied its unique and separate identity, its inviolate holiness.
After writing all day I go for a walk and see a piece of architecture i want to photograph and i have to take a picture and later a poem comes in my mind.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
Whether it's a poem I'm working on or a picture I've snapped, it all has to do with the curiosity I feel without thinking about it.
Look, we don't have the luxury of not dealing with China. There are real complexities to the relationship, whether it's the adversarial piece, whether it's the competitive piece, whether it's the cooperative piece.
Sometimes the only way I know how to work through something is by writing a poem. And sometimes I get to the end of the poem and look back and go, 'Oh, that's what this is all about,' and sometimes I get to the end of the poem and haven't solved anything, but at least I have a new poem out of it.
In love we listen. We listen to what others say. We listen to what our own being is telling us about the nature of existence.
The secret of understanding poetry is to hear poetry's words as what they are: the full self's most intimate speech, half waking, half dream. You listen to a poem as you might listen to someone you love who tells you their truest day. Their words might weep, joke, whirl, leap. What's unspoken in the words will still be heard. It's also the way we listen to music: You don't look for extractable meaning, but to be moved.
I don't listen to music a lot in that I rarely sit down and put on a CD because I really want to treasure the silence that is there when I'm not practising. But when I listen to a piece, I listen to it often.
Like every other form of art, literature is no more and nothing less than a matter of life and death. The only question worth asking about a story — or a poem, or a piece of sculpture, or a new concert hall — is, Is it dead or alive?
A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.
All the others arts are lonely. We paint alone--my picture, my interpretation of the sky. My poem, my novel. But in music--ensemble music, not soloism--we share. No altruism this, for we receive tenfold what we give.
There's no need to put a dumb picture of us on the album cover. We always look at ourselves and think, 'Wow, we look like idiots.' We'd rather have a piece of art on there.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
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