A Quote by Becca Fitzpatrick
I'm telling you this because I want you to know that I know something about you isn't right. You haven't fooled everybody. I'm going to find out what you're up to. I'm going to expose you." "Looking forward to it.
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Your file was empty. Nothing. Not even an immunization record.” He didn’t even pretend to look surprised. He eased back in his seat, eyes gleaming obsidian. “And you’re telling me this because you’re afraid I might cause an outbreak? Measles or mumps?” “I’m telling you this because I want you to know that I know something about you isn’t right. You haven’t fooled everybody. I’m going to find out what you’re up to. I’m going to expose you.” “Looking forward to it.” I flushed, catching the innuendo too late.
I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.
I want to know if I look up a whole lot of books about some form of cancer that that's not going to get to my insurance company and I'm going to find my insurance premium is going to go up by 5% because they've figured I'm looking at those books.
I want to reach out to everybody with my music and my album, but you're never going to please everybody. Someone's going to say something because, you know, it's an opinionated industry.
Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.
It's very nerve-wracking dressing someone because you obviously do everything you can to get them to be interested in something you've done, and then you hear they're wearing it, and then, obviously, they're going to step out in it, and you want to know that it's all going to work and what everybody's going to say about it.
A lot of people don't want to know, but I'd like to know if I have a 10 percent or a 90 percent chance of developing Alzheimer's some day. If I know I'm likely to develop it, I'm certainly going to start looking around right now to find if there is something that I can do to offset it.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
If you're dealing with personal kind of acting, you're not going to want to open up and expose it to everybody, because that's where the power lies, you know? It would be a little like showing your hand in poker, and then hoping you can still win.
I get slightly obsessive about working in archives because you don't know what you're going to find. In fact, you don't know what you're looking for until you find it.
If you find a story that everybody likes and everybody relates to in some way, then you know you have a good story. But if you're telling a story and all the women are going, 'I'm checked out of this, I just don't really care,' then you're going to have some problems.
Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)
'Baby Boy' is one of my favourite films, and Tyrese keeps telling everybody we're going to make a sequel. I mean, we have a story right now but we don't know where we're going to take it.
When you play me, I'm going to get right up in your grill and let you know it's going to be a long day. It's going to be physical. It's going to be something you don't like. It's going to be hell.
Leading up to a live event you need to do your homework and go to bed early. Sometimes it's very tempting to go out with everybody else, They're all going to a party or going out for a nice meal and you think 'oh well I'd like to go', but sometimes you think 'no, if I'm going to be sitting in front of a camera under a light in everybody's home tomorrow I don't want big bags under my eyes and not really know what I'm talking about'.
After each experience, you grow up, you get enriched with something, and you don't know how you're going to be in six months, you don't know what you're going to want, what you're going to need.
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