A Quote by Ben Brantley

The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets, you can now usually discover - somewhere in the thickets of the Internet - reactions to shows from people who've seen them in previews.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
Plays can outlast even the opinions of the chief film critic of The New York Times and that reviews, although they feel devastating in the immediate moment, are not remotely as significant as the significance you endow them with on the day that they appear.
Remember, too, every day, and whenever you can, repeat to yourself, Lord, have mercy on all who appear before Thee today. For every hour and every moment thousands of men leave life on this earth, and their souls appear before God. And how many of them depart in solitude, unknown, sad, dejected that no one mourns for them or even knows whether they have lived or not!
Being famous has changed a lot, because now there's so many outlets, between magazines, TV shows, and the Internet, for people to stalk and follow you. We created the monster.
The funny thing is that some reviews are published in magazines and websites that are seen by millions of people, and other reviews are in very small publications or less popular websites, and you just have to be lucky to have the good reviews land in places where more people see them, and bad reviews land in places where they will be less seen.
If you now have 20 previews, you will regard 19 of them as super-rehearsals, which is fine, except you are being watched by thousands. I remember suggesting on more than one show over the years, 'Let's not have any previews.' But no one agreed with me. If you could do that, however, it would be a great gimmick - no previews, just opening night.
Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. Now and then, every once in a very long while, every day in a million days, when the wind stands fair and the Doctor comes to call, everybody lives.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
People have always told tales. Long before humanity learned to write and gradually became literate, everybody told tales to everybody else and everybody listened to everybody else's tales. Before long it became clear that some of the still illiterate storytellers told more and better tales than others, that is, they could make more people believe their lies.
But the grind has begun. The windows don’t open, and even the availability of near-constant jokes about Jews and Mormons fails to stem the tide of frustration, decay. We’ve reached the end of pure inspiration, and are now somewhere else, something implying routine, or doing something because people expect us to do it, going somewhere each day because we went there the day before, saying things because we have said them before, and this seems like the work of a different sort of animal, contrary to our plan, and this is very very bad.
Everybody says before reviews come out, 'Oh, reviews don't matter,' just in case they're bad; everyone want to brace themselves.
Every blessing ignored becomes a curse. I don't want anything else in life. But you are forcing me to look at wealth and at horizons I have never known. Now that I have seen them, and now that I see how immense my possibilities are, I'm going to feel worse than I did before you arrived. Because I know the things I should be able to accomplish, and I don't want to do so.
You will find ambiguity a great ally on your road to power. Give a sign of Slytherin on one day, and contradict it with a sign of Gryffindor the next; and the Slytherins will be enabled to believe what they wish, while the Gryffindors argue themselves into supporting you as well. So long as there is uncertainty, people can believe whatever seems to be to their own advantage. And so long as you appear strong, so long as you appear to be winning, their instincts will tell them that their advantage lies with you. Walk always in the shadow, and light and darkness both will follow.
If you continue to transfer the wealth of the population of the planet to a very small amount of people, it becomes untenable at some point, a democracy, because people eventually will realize what's going on. You can only bulls - t people through kinds of media outlets for so long, and eventually you have to physically control them.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
There are billions of dollars spent every year on traditional media. The majority of people are spending more time every day on the Internet, especially on mobile. You're starting to see a shift of that spend go to mobile, especially to things like 'Instagram'.
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