A Quote by Ben Edlund
And Supernatural, in fact, going there wasit felt like a place where I had to actually, um, learn to be kind of manly. I felt like I had to kind of change my, like, way of speaking for a little bit, just to kind of fit in, oddly enough. Which was weird.
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I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
In the process of making the record, I was just so bored all the time working whatever stupid job. I felt like a stagnant pond that has algae and mildew and weird animal cells, and I felt like if I sat around not doing anything long enough, that I'd probably end up going a little bit crazy.
It's not like I had a breakdown, though it kind of felt like it at the time. I agreed to everything that happened. You can't really be at work and be like, "That's it. I've had too much. I'm going home."
I wrote them kind of consecutively, starting with 'Holy,' and then '1950,' 'Talia,' 'Upper West Side,' 'Make My Bed,' and I was kind of like, 'This is it.' It felt right. It felt complete. It felt like a sentence. I really enjoyed making it.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
In training, I felt like my body would switch one way, but my leg would kind of stay in one direction. So I kind of felt like it wasn't stable.
I just like to work with other people, and I like things that are kind of a little bit bigger than that. I don't know. I just feel like a solo record just kind of gives me the willies a little bit.
My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me.
I felt like for it to really turn into something, you have to jump in with both feet. And it always turns out a little different than you imagined it, but that's kind of the beauty of it, when you feel musically confident enough to just kind of follow where it goes.
There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.
One time I went to Berlin and, for some reason, everywhere I was going they had fishbowls. Like a fishbowl by your bed or a fish tank in the bar. They seem obsessed with this IKEA version of nature, which a fishbowl kind of is. They had that going on. I just don't really like having a goldfish by the side of my bed. I feel kind of sad for it, rather than happy. But I thought that was really weird. Maybe they have human fishbowls.
I don't actually have a lot of discipline. I've worked hard at music. But I feel like you know, I felt like kind of natural at it. I always had a knack for it.
I wanted to move between film and theater - I never felt like I fit into TV. And I'm very anti-TV, like, 'I'm never going to do TV,' but also, TV didn't want me either, so it was kind of perfect. And then, of course, cable happened, and suddenly it was like, 'Oh, I could do that kind of stuff.'
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