A Quote by Ben Falcone

I think 'weird' is an interesting way to say 'unique.' It has a strange connotation, but weird is good. If you embrace your weirdness, you'll be on the way to becoming who you are.
I am weird, you are weird. Everyone in this world is weird. One day two people come together in mutual weirdness and fall in love.
I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.
We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love.
I have always had a strange relationship to Portland, Oregon. It's a great city. The people who live there love it openly and loudly, and it regularly appears on the lists of best American cities. But something has always felt weird to me about Portland. And not in the way Portlanders mean 'weird' in their slogan 'Keep Portland weird.'
Just remember this- weird's good. Embrace the weird, dude. Enjoy it because it's never going away.
There's a lot of comedy in being the outsider. You can say, 'That's weird. Why do you do it that way? That's foreign to me. That's pretty weird.'
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
Its OK to be weird. And maybe your weird is my normal. Whos to say? I think its an attitude.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
I think most people come toward things assuming everybody is going to be a good person. When you have an interaction where it doesn't go that way, it's very problematic and interesting and weird.
You may be a geek. You may have geek written all over you. You should aim to be the geek they will never forget. Don’t aim to be civilized. Don’t hope that straight people will keep you on as some sort of pet. To hell with them, they put you here. You should realize what society has made of you and take full revenge. Get weird. Get way weird. Get dangerously weird. Get sophisticatedly thoroughly weird and don’t do it half way, put every ounce of your horse power into it. Have the artistic courage to realize your significance in culture.
Kids used to tell me I was weird all the time. When I got older, I wanted to embrace my name and I put it on everything. And I also wanted to embrace being weird.
I don't know anybody as creative and unique and off the wall as Dia Frampton. She's always asking me, 'Am I too weird?' I just tell her, 'People don't think you're weird, they think you're cool.'
I used to think that anyone doing anything weird was weird. I suddenly realized that anyone doing anything weird wasn't weird at all and it was the people saying they were weird that were weird.
I think what's interesting about Alice Munro, too, is the extreme mundanity of things. And how even a life reduced to complete mundanity, like capitalism taking over rural Ontario or whatever, has complete sway over aspects of life. Nevertheless, people still have these moments of weird desperation, weird longing, weird true love, or weird, powerful lust, and that was a major inspiration for me, too.
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