A Quote by Ben Falcone

I think there's nothing better than a comedy that also is not afraid to have those heartfelt moments. — © Ben Falcone
I think there's nothing better than a comedy that also is not afraid to have those heartfelt moments.
Slice of life comedy is something which I enjoy more. These moments make you smile when you think about them. And these moments work for a film as well, rather than slapstick comedy.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
... if [a photograph is] unbelievably real it becomes superreal or another kind of super real, better than real... [it] also can be, I think, so heartfelt that you almost can get a pang of compassion for the thing.
Yet still, there are those special secret moments in our lives, when we smile unexpectedly-when all our forces are resolved. A woman can often see these moments in us, better than a man, better than we ourselves, even. When we know these moments, when we smile, when we are not on guard at all-these are the moments when our most important forces show themselves; whatever it is you are doing at such a moment, hold on to it, repeat it-for that certain smile is the best knowledge that we ever have of what our hidden forces are, and where they lie, and how they can be loosed.
Those who don’t read the newspapers are better off than those who do insofar as those who know nothing are better off than those whose heads are filled with half-truths and lies.
I know that even at moments of apparent danger, nothing is out of order or lacking, other than our own unquestioned thoughts about those moments.
There are two types of actors. There's the actors who can acknowledge that they could never do standup comedy. Then there's the pretentious ones, who believe that acting is harder than standup comedy. I definitely don't think it is. I also think making a comedy is substantially harder than making a drama.
There are always moments when one feels empty and estranged.? Such moments are most desirable, ?for it means the soul has cast its moorings and is sailing for distant places. ?This is detachment -- ?when the old is over and the new has not yet come. ?If you are afraid, the state may be distressing, ?but there is really nothing to be afraid of. ?Remember the instruction: ?Whatever you come across -- go beyond.
It's those moments when everything is on the line, and someone needs to show up in a big moment. I prepare my mind and I prepare my body to be ready for those moments. And I think it's just what I do. I live for those moments.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think. Otherwise, you're just cruising down a path that's been traveled millions of times. It's cool to find the strange truth in those moments.
There are moments when you feel as if you have been blessed for a while, moments when you think this is perfect, moments when you start to believe that even for an hour, even for a year, it might all happen. So I'm determined to keep making it get better and better.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
There's nothing worse than being shackled by some miniscule sort of technology you have onstage, and I think your mettle is going to get tested in those moments.
One of those moments he knew he'd remember and look back on, one of those moments that he'd try to capture in the stories he told. Nothing was happening, really, but the moment was thick with mattering.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
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