A Quote by Ben Lovett
'Beneath the Piano' by The Devil Makes Three somehow reminds me of an old Johnny Cash song. The song is a lot of fun and tells a story.
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Growing up in Mississippi, the first song that I ever remember hearing, that captivated my mind and transported me from my bedroom out to the West, is a song called 'Don't Take Your Guns to Town' by Johnny Cash. That's when I was 5-years-old. And I played that song over and over again. I pantomimed it in school for show-and-tell.
You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.
Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
The song that I will sing is an old song, so old that none knows who made it. It has been handed down through generations and was taught to me when I was but a little lad. It is now my own song. It belongs to me. This is a holy song (medicine-song), and great is its power. The song tells how, as I sing, I go through the air to a holy place where Yusun (The Supreme Being) will give me power to do wonderful things. I am surrounded by little clouds, and as I go through the air I change, becoming spirit only.
If you write a song, and you go into a restaurant, and there's a guy with a piano singing and he's playing piano, singing your song, or you hear it at a wedding or at an airport... it's fun!
As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.
I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.
There's a story behind every old ballad or work song or nonsense song that I ever knew. Sometimes it's a fascinating story. A story of people struggling for freedom, struggling to get along in this old world.
A song is a lot of things. But, first of all, a song is the voice of its time. Setting words to music gives them weight, makes then somehow easier to say, and it helps them to be remembered.
At 13 I taught myself piano from an old song book, and Joni Mitchell's 'Both Sides Now' was the first song I learned.
We have Common on one song called 'Don't Charge Me With the Crime,' which is one of my favorite songs. It's a story song. It didn't really happen to us. But it's definitely fun to have him on the track.
I think every good song tells a story, as ambiguous and vague as it may be. And if you know what a song is talking about, it can only help your performance.
When I was maybe three years old, I was obsessed with this song 'Leader of the Band' by Dan Fogelberg. My mom took me to the mall and bought me a 45 of it. We would listen to that song all the time.
Where better than the church for people like me, George Jones and Johnny Cash to go to get ourselves in shape enough to sing a gospel song?
Whenever you're in a relationship, you have that favorite song that reminds you of when you first got together or when you first kissed, and then every time you hear that song, it reminds you of that person.
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