A Quote by Ben Vereen

I didn't know who Langston Hughes was till he met me backstage. — © Ben Vereen
I didn't know who Langston Hughes was till he met me backstage.
I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.
When I was in high school, I remember writing a research paper, and the teacher said I should write about Langston Hughes. I felt as if I was the only black dude who didn't like Langston Hughes. He didn't seem as dark and layered as someone like Flannery O'Connor.
Suicide Note: The calm, Cool face of the river Asked me for a kiss. -Langston Hughes
I wanted to be Langston Hughes.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
When I first knew that I wanted to rap I was seven years old and I lost the talent show. It was like spoken word or something. My mom made me do it. It was a Langston Hughes poem. The girl that came on after me, she wound up winning. She was a singer.
If I had to name one book that has had the most lasting influence on my work, I would pick 'The Big Sea' by Langston Hughes.
I sometimes feel I have met everyone he ever met, but I never met him. I am afraid to say I have always been - the word I would have to use is - amused by Howard Hughes.
Music and the blues, they have taught me a lot. I think in this book, 'Book Of Hours,' there is this blues sensibility. There are moments of humor even in the sorrow, and I'm really interested in the way that the blues have that tragic-comic view of life - what Langston Hughes called 'laughing to keep from crying.'
I think when romantic comedies are done well, it's a great genre. 'When Harry Met Sally' is kind of a benchmark for me, but I'm very happy to admit that I love 'Pretty Woman.' I do! It's a great film, and so is 'Sixteen Candles.' I was a big John Hughes fan - still am. I have moments where I have to watch a Hughes film.
I would love to do an anthology show based on the character of Jesse B. Semple that Langston Hughes wrote about. He's sort of a Forrest Gump character in the midst of 20th century Harlem.
[ Mrs. James, my fifth-grade teacher] introduced us to these authors early on and taught us that their literature is important. Langston Hughes - we read his poetry. We studied who W.E.B DuBois was. And so she whetted our appetites.
I met Sade! I performed 'Blue Lights' at one of Drake's shows in London, and I met her backstage. She told me her son is a big fan. That was a moment when I was like, 'Wow.'
We expect kids to go straight from Shel Silverstein to William Shakespeare. There needs to be a bridge of relatable, fun, rhythmic verse that gets kids to cross over, so to speak, so they can appreciate Mary Oliver and Naomi Shihab Nye and Langston Hughes.
Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven.
All black art is always judged to illuminate our experience and prove that our stories and our history and our lives matter. And that goes back to Ralph Ellison, James Baldwin, Langston Hughes, Zora Neale Hurston - take your pick.
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