A Quote by Benicio Del Toro
There's a lot of Latinos right now, a lot of filmmakers and writers that are Latin too.
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A lot of artists use memories. A lot of prose writers, a lot of poets, a lot of songwriters, refer back to something. Generally it's all you've got, unless you're brilliant and can write totally in the now.
I'm part Latin, so everything in the Latin culture is - there's a lot of hyperbole, and there's a lot of melodrama.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
I can't wait for the rest of my career to meet these young writers and filmmakers so that I can produce and push a lot of their stories out there.
The way Americans most understand the history of Latinos in this country, a lot of it is being told now through the lens of what's happening with the immigration debate. While that's an important debate that has security and moral implications, in my view, there's also a huge history of Latinos in the United States that's never been told.
There's just a lot of really, really great male artists right now, and it's good, too. And there's so many different influences in country right now, too, like hip-hop and rock 'n' roll and some blues. So I feel like if you turn on country radio, you will find something you'll love because it's so diverse right now. And that's a great thing.
If you're equally good as this Latin player, guess who's going to get sent home? I know a lot of players that are home now can outplay a lot of these guys.
I'm Latin, and my family is originally from Italy, so we're a loud group. There's always a lot of food, a lot of talking, a lot of fighting.
I always read the Latin American writers. I love so many of them: Gabriel García Márquez, José Donoso, Alejo Carpentier, Jorge Luis Borges, Clarice Lispector. I also love a lot of American experimental writers and surrealist European writers. But perhaps The Persian Book of Kings was the greatest influence - I encourage people to look at it. There is such a wealth of incredible stories.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I admire them [latinos] for making their way up and opening new opportunities for other Latin newcomers. Latinos have come a long way and the roles and opportunities just seem to be improving.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot. Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure. Norman Mailer and Vidal, the same thing. The bestselling writers now, there's no great animal energy with them.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
The fact is, unlike a lot of writers, I credit the people who help me. A lot of writers out there have a ton of researchers and they don't get credited in the book.
I'll bet you $10 right now that there are an awful lot of literary writers who started a long time ago and now they find themselves in this place where secretly they feel trapped. And you know what they really read for fun? They read crime fiction.
Whatever Kurt Vonnegut's ultimate status will be in the annals of literature, he was important to a lot of people right now. That's what most writers really care about.
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