A Quote by Benicio Del Toro

I've done a lot of movies, and you really never know. You do a movie and you think that it's great, and then you see it and it doesn't work. — © Benicio Del Toro
I've done a lot of movies, and you really never know. You do a movie and you think that it's great, and then you see it and it doesn't work.
I really like Gwyneth Paltrow a lot, as far as her career, because I think she's done a lot of small movies but she's also done great, big movies, and she's a really great actress.
Kurt Russell is amazing. He's really nice. He's really funny. He's really professional, and it's great to see him work and to see someone who's done so many movies and who's so down to earth, it's great. I feel really lucky.
I think a lot of people don't take you seriously if they hear it's a video-game-based movie, and a lot of press people don't write about you. With BloodRayne, a lot of serious newspaper people didn't actually even see the movie. They went online to see other reviews, and then wrote their own. I think comic-book-based movies have a better image. We see it with 300, Sin City, Spider-Man - they are A-list features, and video-game movies are B-list.
On a movie, you have a great time, and you're really enjoying the work, and then everybody is done and goes their separate ways, and you maybe never get to work with those people again.
I think the best thing you can do when you go and see a movie is to bring somebody along who really enjoys the film with you. I think this is one of those movies... it wouldn't be their first choice. But once they're in there and they see the enjoyment that not only they're getting, but also their wife or their girlfriend then it makes for a much more pleasant evening after the movie!
What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”
Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.
I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'
I would really like to do a movie. Schedule-wise I don't know when exactly, but I think it would be great to do a Portlandia movie. Some of my favorite television shows have done it and they've been great. Like Monty Python. I think it would be great.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.
I actually do like scary movies. I used to hate scary movies. You know, when I was young, I saw 'The Changeling,' with George C. Scott, which I think is the scariest movie ever made. After I saw that, I swore I would never see a horror film again. Then I started making them.
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
Now that I'm a professional writer it's a little more difficult to enjoy a movie if it's not well done and a lot of the horror movies are not great, but when something's really good, like I really loved The Conjuring. That just scared the bejesus out of me.
I'd like to make a great movie. I've made many movies. I think I've made some good movies, but I never felt I've made a great movie.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
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