A Quote by Bernd Heinrich

We are social animals. We like to feel a part of something of beauty and power that transcends our insignificance. It can be a religion, a political party, a ball club. Why not also Nature? I feel a strong identity with the world of living things. I was born into it; we all were. But we may not feel the ties unless we gain intimacy by seeing, feeling, smelling, touching and studying the natural world. Trying to live in harmony with the dictates of nature is probably as inspirational as living in harmony with the Koran or the Bible. Perhaps it is also a timely undertaking.
I used to live in a little city by the sea, and the feeling of isolation - it was not like living in Paris or London. It was a bit apart from the main city, and [it gave me] this feeling of isolation and also being close to nature, with nature as a surrounding and also a frontier, from the society of the world.
I detest violence. I have a tremendous respect not only for human life but also for the animal life that I have to live with, and I believe that our destiny as human beings is to become nature-conscious as well as self-conscious, living in loving relationship and in balance and in harmony, not only with one another, but with the entire natural world.
There is great freedom in simplicity of living, and after I began to feel this, I found harmony in my life between inner and outer well-being. There is a great deal to be said about such harmony, not only for an individual life but also for the life of a society. It's because as a world we have gotten ourselves so far out of harmony, so way off on the material side, that when we discover something like nuclear energy we are still capable of putting it into a bomb and using it to kill people! This is because our inner well-being lags so far behind our outer well-being.
The love I have for our wildlife is so great, it fills my world. After Black Saturday I saw a world that was black and white, void of animals and humans. What I missed most was the love and life of living with the wildlife. Each day I think of the ones gone and there is a deep hole in my heart. I did not miss the humans or the sounds they make, I missed the animals the sounds of peace and love that came from them. Such beauty and harmony with nature, only animals can be that smart.
Many things that human words have upset are set at rest again by the silence of animals. Animals move through the world like a caravan of silence. A whole world, that of nature and that of animals, is filled with silence. Nature and animals seem like protuberances of silence. The silence of animals and the silence of nature would not be so great and noble if it were merely a failure of language to materialize. Silence has been entrusted to the animals and to nature as something created for its own sake.
I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.
Man is the only animal who does not feel at home in nature, who can feel evicted from paradise, the only animal for whom his own existence is a problem that he has to solve and from which he cannot escape. He cannot go back to the prehuman state of harmony with nature, and he does not know where he will arrive if he goes forward. Man's existential contradiction results in a state of constant disequilibrium. This disequilibrium distinguishes him from the animal, which lives, as it were, in harmony with nature.
On the one hand, our social nature is our greatest beauty - it means that we have natural empathy and sympathy. But our social nature also means that we may let ourselves be controlled by the judgments of others, precisely because we care so much about our status in community.
I cannot copy nature in a servile way; I am forced to interpret nature and submit it to the spirit of the picture. From the relationship I have found in all the tones there must result a living harmony of colors, a harmony analogous to that of a musical composition.
When the rhythms of our body-mind are in synch with nature's rhythms, when we are living in harmony with life, we are living in the state of grace. To live in grace is to experience that state of consciousness where things flow effortlessly and our desires are easily fulfilled. Grace is magical, synchronistic, coincidental, joyful. It's that good-luck factor. But to live in grace we have to allow nature's intelligence to flow through us without interfering.
It must be acknowledged that an increasing proportion of the world's population is living in cities, in almost completely human-made environments. But we should also acknowledge that there are still a considerable number of people who wish to live in harmony with nature, and that globalization has made their ways of life increasing difficult to sustain.
The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.
Here and gone. That’s what it is to be human, I think—to be both someone and no one at once, to hold a particular identity in the world (our names, our place of origins, our family and affectional ties) and to feel that solid set of ties also capable of dissolution, slipping away, as we become moments of attention.
We should choose simple ways of living... to live in harmony with nature by adopting simpler technologies and using natural resources innovatively.
We are living in a world where image is important and we feel the need to confirm to a standard of what beauty is and how beauty should look like. We look at the billboard, and feel something is lacking in us.
If you have this deep feeling of empathy for the natural world, you feel it so profoundly. It's almost a religious experience. I feel that I could never really say the depth of feeling or connection I feel to the natural world, which has made me.
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