A Quote by Bette Midler
While I was growing up, I believed I could do anything I could think of. So the challenge was always to keep thinking - to get to where I wanted to be and then to think of somewhere else to go.
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My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.
Growing up I couldn't always get involved with the activities with all the other kids because if I overworked my body it would trigger my pain. There were definitely times growing up, where other kids wanted to challenge me; they wanted to see if they could push my buttons and see if I could fight or what have you. Taking my kindness for weakness or taking my quietness and laid-back style for weakness. I've been dealing with that for basically all my life.
I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.
I used to think I was unstable, because I had this thirst for something. I could never figure out what it was. I couldn’t sleep at night, and I always wanted to be somewhere else. I have a window tattooed, this little box, and it’s because wherever I was, I wanted to be somewhere else. And, I always saw myself, wherever I was in life, staring out the window.
I think it's very easy to get caught up and think that how many hits you get in a magazine because you were seen out somewhere has anything to do with a director's opinion of you, and whether they could use you or not.
I remember everyone telling me I had to think positive when I was writing my first book. If I believed I could do it, then I could! If I pictured myself published, then it was going to happen! Which sounded great, except...could I do it? If I didn't think I could, was I doomed to fail? What if I was almost totally sure I would fail? I am here to tell you-what matters is sticking with it.
And the rules were so clear, you could not deviate from that all. And I think it especially damaged my sisters because there was nothing they could do to get my father's attention, to win his approval. They could not play sports. They could not do these other things. They could not be tough. They could not be macho. And so I think they suffered just from sheer neglect if nothing else.
I don't think I thought I was going to go into music, and I don't think it hit me until I was 13 or 14, and then I was gone. Just like that. At that point, there was nothing else that could keep my attention.
I think it just seems like something that somebody else does, like they raise actors somewhere in Ohio, and once in a while, people go and pick their actors and move to Hollywood. It seemed like such a distant idea. But then, as I started growing up, I'm like, 'Oh, this is an occupation.'
The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people.
I didn't do so well in the academic world, so I think the only way I could express myself was through visual art - anything I could get my hands on, whether it was glassblowing, sculpture, painting, or photography. I always wanted to be a painter. Or a farmer.
It could be anything. It could be Jesus and it could be the Furby and it could be the lint that lives in my navel, but it's probably not. Whatever it is, I doubt we as humans on Earth could have any perception of it while we're here. So, why give yourself a headache thinking about it. Just be a good person. That's what an ethicist is.
I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?
I couldn't take my eyes off of Stan [Lee]! As good as the movie is, all I could think about is, "What's he thinking?" So the movie ended, and then he, very whimsically, expressed all of his feelings about how long he waited, and how the TV shows in the '70s were all, "If only they could do this," and now they could. And he didn't get choked up and blubbery, but he was moved. Like, "Ohmigod, it happened while I was alive." And I can't believe I got to see that. He was very raw. It was quite beautiful.
[Bill Gates] wanted me to stay working at Microsoft, but I didn't think he could be CEO and we could have the family life that we both had growing up, which is what we envisioned. I knew I would go back to work at some point later to some profession. I just didn't know what.
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