A Quote by Betty Dodson
When I do documentaries, my best information ends up on the cutting-room floor. People have trouble dealing with sexual honesty.
Related Quotes
The best-laid plans of mice and comedians usually wind up on the cutting-room floor.
Certainly as an actor, half of your work is not going to end up on the screen anyway, because in the editorial process, they need to cut to the other actor in the scene. Very often, your best work ends up on the cutting room floor, because it just doesn't work with the overall narrative drive of the story.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
The great thing about doing physical comedy for film is that if it doesn't work you're not exposed. It ends up on the editing room floor, so it gives you a lot more room to experiment I guess. But I really enjoy doing it. I'm very comfortable tapping into my inner idiot.
I thought it was a wonderful line - right on the cutting room floor.
When I get home I'll still have to unload the dishwasher and clean my room. Last night my mom got so fed up of my messy floor in my room she picked it all up off the floor and put it on my bed so I would have to clean it up before I went to bed!
My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
I often can't remember which scenes are and aren't in the final product, because I saw so many different versions of the Lemony Snicket that I forget which ended up on the cutting-room floor.
We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.
I wanted to resist in 'The Look of Silence' making a film that ends with any kind of positive hope I feel in human rights documentaries dealing with human survivors.
I always knew I wanted to create. I used to sit in my room for hours drawing and making things. I once got into trouble for cutting up my mother's lampshades to make a dress. I was three.
Oh, I'm always laughing with the children in 'Supernanny,' but you don't see it because Ricochet decide what to leave on the cutting-room floor and what to keep in.
Going up to Canada is great because I'm not dealing with people carrying their agendas into the room. I'm lucky because 97% of the people who come to the show know who they are dealing with, whether they are on the left or the right, we're sharing the same frustration.
My personal opinion is that, if you're a professional writer, that you do have quotas. So every day I do try to write 800-1,200 words. I don't always achieve it, and the reality is that a lot of the words I write will end up on the cutting-room floor.
Don't misunderstand. I am not here bashing people who are homosexuals, who are lesbians, who are bisexual, who are transgender. We need to have profound compassion for people who are dealing with the very real issue of sexual dysfunction in their life and sexual identity disorders.
If you film a scene in a wide shot, especially a disturbing, distressing moment, I do feel like that helps you feel as though you're the room with these people, instead of cutting it up and getting close - which you wouldn't be doing if you were actually in a room with these people.
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