A Quote by Bill Bruford

A rock band used to be four guys and a drummer. Now it's five guys sitting around reading manuals! — © Bill Bruford
A rock band used to be four guys and a drummer. Now it's five guys sitting around reading manuals!
Five or 10 years from now, people are going to be sitting around going, 'Wasn't there a show about four fat guys in a pawn shop?' And I am sitting on this really nice piece of property on Las Vegas Boulevard. Why not?
If you take five white guys and put 'em with five black guys, and let 'em hang around together for about a month, and at the end of the month, you'll notice that the white guys are walking and talking and standing like the black guys do. You'll never see the black guys going, "Oh, golly! We won the big game today, yes sir!" But you'll see guys with red hair named Duffy going, "What's happenin'?"
We're not really band guys. We're shlumpy guys. We don't look like rock stars.
When you think about the guys who started Twitter, and the Google guys, and the Facebook guys and the Napster guys, and the Microsoft guys, and the Dell guys and the Instagram guys, it's all guys. The girls, they're being left behind.
I want to be better than five guys. I was that way when I used to box, I was that way in any sport. I want to compete with five other guys. If I beat five other guys, I'd like to see if I can beat six.
The problem with my guys, all my guys, they come in and improve themselves so fast in college: they go from 'He's this and this' to 'That kid is the first pick or second pick. Four. Five. Seven.' Tell me about those teams: not great. So my guys are walking into bad situations.
The secret of successful managing is to keep the five guys who hate you away from the four guys who haven't made up their minds.
Rock 'n' roll guitar came from blues guitar. It was the blues guys who first turned the amp up and started whacking on the Stratocaster and a Les Paul. It wasn't the country guys and it wasn't the white guys; it was the Blues guys. That's where the real fire is in all of this rock and roll music.
I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.
Every rock'n'roll band I know, guys with long hair and tattoos, plays golf now.
What's the last thing a drummer says in a band? 'Hey guys, why don't we try one of my songs?'
I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
The band? No way! There ain't no band. The band is not 'the band' right now. It's just three guys.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
A band isn't a band unless they're playing together. Otherwise, it's just five guys that are living off their royalty checks.
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